Reviews . . . M - Z
JAZZ . . . and other obsessions - Bruce Crowther's Website
|
|
|
|
|
|
|
|
|
The following are necessarily brief notes on some CDs I have enjoyed, and continue to enjoy.
The reason for brevity is pretty obvious. Keeping up with the flood of CDs being issued in ever-increasing numbers comes close to being a full time job and I already have one of those.
So, if you want more information, try going to an artist's own website (some of which can be reached via my Links page), or from the record company links (where shown with the review).
Most of the records shown here are, of course, available on-line from Amazon:
Mostly, these are Jazz Instrumentalists and Jazz Singers, but there are a few superior pop singers, some from the smooth jazz scene, also a few Brazilian musicians, and others hard to categorize.
A - L ... click here > ...
M Bill McBirnie, Eugene McDaniels, Tom McIntosh, Chris McNulty, Carmen McRae, Manhattan Ragtime Orchestra, Nancy Marano, Marguerite Mariama, René Marie, Claire Martin, Sue Matthews, Tina May, Pablo Menéndez, Carol Mennie, Hendrik Meurkens, Andy Middleton, Dom Minasi, Monk's Music Trio, Barbara Montgomery, Moutin Reunion Quartet, Mozayik, Rob Mullins, Matt Munisteri, Mark Murphy
N Nanette Natal, National Youth Jazz Orchestra, Negroni's Trio, Hilary Noble & Rebecca Cline
O Luis Mario Ochoa, Bill O'Connell, Arturo O'Farrill, Junko Onishi
P Kat Parra, Rebecca Parris, Rosa Passos, Patrizia, Mary Pearson, Luis Perdomo, Jorge Pescara, Carlos Pingarilho, Ron Polson, Odean Pope, Jonathan Poretz, Bill Potts, Dafnis Prieto, Peter Primamore
R Bruno Råberg, Natalie Rae, Del Rey, Hanna Richardson, Carol Robbins, Sherri Roberts, Tad Robinson, Bob Rodriguez, Louise Rogers, Erienne Romaine, Jim Rotondi, Jimmy Rushing, Sandi Russell, Jackie Ryan
S Glauco Sagebin, Marcelo Salazar, Spider Saloff, Michelle Samuels, Jody Sandhaus, Jim Seely/Arturo O'Farrill, Jim Self, Vince Seneri, Janet Seidel, Ian Shaw, George Shearing, Marcus Shelby, Daryl Sherman, Mark Sherman, Rebecca Shrimpton & Eric Hofbauer, Judi Silvano, Steve Slagle, Carol Sloane, Carrie Smith, Daniel Smith, Stephen Smith, Lisa Sokolov, Solar, Bob Stewart, Chip Stephens, Joan Stiles, Harri Stojka, Dave Stryker, Maxine Sullivan, Tierney Sutton, Harvie S
T Martin Taylor, Clare Teal, Clark Terry, Laura Theodore, Lisa Thorson, Toph-E & The Pussycats, Trio Da Paz, Trio Mundo, Ike Turner
V Marlene VerPlanck, Jerry Vivino, Roseanna Vitro
W Bea Wain, Wayne Wallace, Rosella Washington, Ben Webster, Frank Weder, Ezra Weiss, Magni Wentzel, Carla White, Wesla Whitfield, Tommy Whittle, Patti Wicks, Lee Wiley, Joe Williams, Deanna Witkowski, Andrea Wolper
Bill McBirnie Paco Paco (Extreme Flute 04)
Widely acclaimed for his remarkable playing of the flute, Bill McBirnie has comfortably stretched his repertoire to include bop and the classics, by way of Latin music and his own original compositions. Here, Bill is featured in duo and quartet pieces, his accompanists being pianist Bernie Senensky, bassist Neil Swainson and drummer John Sumner. Throughout this CD Bill's melodic leanings are vividly apparent and his improvisation demonstrate an enviable fluidity. The composers represented include Thelonious Monk, 'Hackensack', John Coltrane, 'Like Sonny', Keith Jarrett, 'My Song', Sonny Rollins, 'Doxy' and Hank Mobley, 'This I Dig Of You'. There is also a piece by Bernie, the CD's title song, which is by no means outclassed by its surroundings. Very attractive music, played with skill and warmth. It is not hard to see why classical flautist James Galway says of Bill McBirnie, 'I have never heard anyone play like this'. (Buy this now ...)
Eugene McDaniels Screams And Whispers (Genepool GPR 235)
Thirty years on from dynamic music making that included hits like 'Compared To What' and 'Feel Like Makin' Love', as well as his politically-charged lyrics that earned him the displeasure of the Nixon administration, Eugene McDaniels has lost none of his vigour. Here, there are lyrics that reveal not only his retention of that early spark, but also demonstrate how little has changed and how much a talent like his is still needed. Active in the intervening decades in the production side of the music business, this recording also proves that Eugene's liquid vocal sound is still marvellously intact. Although much latterday pop music making lacks depth and historical perspective, Eugene vividly demonstrates here that it is still possible to be soulful and funky and deliver a meaningful message. (Buy this now ...)
Tom McIntosh With Malice Toward None (Ipore IPOC 1005)
Veteran trombonist and composer Tom McIntosh has gathered around him some outstanding players for a CD of songs composed mostly by him, some of which have been in the jazz repertoire for decades. For much of his long career, Tom has worked in film and television studios and as a jazz educator at places such as the New England Conservatory of Music. Here, in his debut album as leader, he directs a star-studded band through a musical and swinging set that never falters. Collectively, the musicians on hand are trumpeter Jimmy Owen, saxophonists Benny Golson, James Moody and Frank Perowsky, pianists Kenny Barron, Roger Kellaway and Helen Sung, guitarist Ben Washer, bassists Buster Williams and Richard Davis, vibraphonist Stefon Harris and drummer Ben Perowsky. Ranging through the mainstream with ever-present boppish touches, the set features ensemble playing that is as might be expected from high-calibre musicians such as these, while the solos are fluidly inventive. There are seven of Tom's compositions here, four of them new for this album, and a pair of non-McIntosh songs to round out the occasion. More new music is promised for the follow up to this CD. It has taken a long time for Tom to make this very welcome debut album; we must hope that he does not wait long before the next. (Buy this now ...)
Chris McNulty Dance Delicious (Elefant Dreams ED 4746)
Chris McNulty Whispers The Heart (Elefant Dreams ED 4549)
With these, Chris McNulty's fifth and sixth CDs, she extends her audience from the strong and dedicated fan base to the encompass many who have missed her considerable skill in the past. An inventive and thoroughly engaging jazz singer with an especially attractive touch with ballads, Chris has been delighting audiences for the past two decades. For anyone who has missed hearing her, either in live performance or on record, these CDs will be a revelation. This is a singer of considerable character and vast experience who brings to every song she sings an originality often lacking in the work of better-known contemporaries. On the first of these sets, Chris is accompanied by a team of very good instrumentalists drawn from the foremost ranks of today's jazz and session players, among whom are pianist Mulgrew Miller, alto saxophonist Gary Bartz, cellist Eric Friedlander, drummer Billy Hart, bassist Ugonna Okegwo and guitarist Paul Bollenbeck. The songs are a pleasing mix of standards and originals composed by Chris. Definitely a CD to look out for and to savour. For the second set, Chris has again chosen Paul Bollenbeck as her principal accompanists with contributions from many other noted instrumentalists, including Frank Wess, Ingrid Jensen, Dave Pietro, Tineko Postma, Ed Howard, Gary Versace, Matt Wilson, Rogerio Boccato and Montez Coleman. Mixing standards with some of her own original compositions, together with some lesser known but wholly admirable works by Thad Jones and Abbey Lincoln, Leonard Bernstein and others, this highly recommended CD clearly demonstrates that Chris is a major singing talent for today. (Buy these now ...)
Carmen McRae Birds Of A Feather (Verve 589 515-2)
I have always been very wary of using the word 'great' in connection with just about everything, and certainly with regard to anything musical. Long stripped of any real meaning by its use in the pop world, it no longer serves any useful purpose. Yet it is hard not to be tempted when confronted by many of Carmen McRae's recordings. An example appears on this CD. Arranged by Ralph Burns, 'Skylark' is a song composed by Hoagy Carmichael with lyrics by Johnny Mercer. Carmen bathes the evocative words in that beautifully limpid sound she could produce with such seeming effortlessness. If her interpretation of this fine song were all, I would still be reaching for superlatives, but it does not end there. For example, there is a fleeting moment of Mundell Lowe's wonderful guitar; but above all, there is Ben Webster. Mostly, on this song, Carmen chooses to deliver the material in an almost straight fashion, but then, at the end of a phrase, she bends a note that sends the tenor saxophonist soaring majestically into flight for a short but perfectly shaped solo. That the rest of this set comes close to the remarkable standards - of writing, improvisation, and performance - set by the treatment of 'Skylark' testifies to this being a very special recording. (Buy this now ...)
Manhattan Ragtime Orchestra Euphonic Sounds (Stomp Off CD 1402)
Delving back into the pre-jazz years for its inspiration and repertoire, the Manhattan Ragtime Orchestra was formed in 2004 by clarinetist Orange Kellin who was a founder member of the similarly-oriented New Orleans Ragtime Orchestra back in the late 1960s. Among like-minded enthusiasts, the MRO includes trumpeter Jon-Erik Kellso, trombonist Brad Shigeta and pianist Terry Waldo. The line-up follows the format of many dance hall groups that played the popular music of the day a century ago and that means there is a front-line violin, played here with aplomb by Skye Steele. As might be expected, the repertoire includes compositions by Scott Joplin alongside pieces by composers whose names are redolent of an era long gone but never to be forgotten: Armand J. Piron, Luckey Roberts, Sidney Bechet, Tim Brymn, Ford T. Dabney, W. C. Handy. Certainly these composers and their music will not be forgotten so long as there are musicians of this calibre dedicated to bringing them to contemporary audiences. (Buy this now ...)
Nancy Marano You're Nearer (Munich BMCD 427)
On this fine CD recorded in The Netherlands late in 2003, Nancy Marano ably demonstrates why her fellow musicians, such as Dick Hyman and Dave Frishberg, hold her in high regard. Nancy's performances are assured, her sound mature and the songs she chooses are treated with respect and authority. In addition to her busy singing schedule, Nancy is also an in-demand teacher and it is good to note that a future generation of singers is learning from someone as accomplished as this in the art and craft of a difficult career choice. That Nancy makes it seem so easy is testament to her gifts. Accompanied by a very good sextet of Dutch musicians, Nancy marks up another winner. (Buy this now ...)
Marguerite Mariama Wild Women Never Get The Blues ... Well, Not Anymore! (Power Light unnumbered)
This CD is the debut of Marguerite Mariama, who hails from Chicago and brings to her singing an tough reflection of the urban blues for which the city is rightly famed. In addition to singing, Mariama also acts and is a choreographer and works in education. This set draws mainly from what is clearly a wide-ranging repertoire and throughout Marguerite is accompanied by front-rank instrumentalists, including tenor saxophonist Chico Freeman, pianists Jimmy Sigler and Eric Reed, bassists Lonnie Plaxico and Buster Williams, and drummers and percussionists Carl Allen, Leo Cordew and Jeffrey Haynes. Marguerite's vocal sound is rich and warm and she embraces her material with a measure of confidence rare in newcomers to recording. Clearly, this is a singer to look out for in the future. (Buy this now ...)
René Marie How Can I Keep From Singing? (MaxJazz MXJ 109)
René Marie Vertigo (MaxJazz MXJ 114)
René Marie Live At Jazz Standard (MaxJazz MXJ 116)
René Marie Serene Renegade (MaxJazz MXJ 120)
A supremely talented singer who exploded onto the jazz singing scene in the late 90s, René Marie delivers on the first three of these CDs a pleasing mix of mainly standards with a few of her own very good compositions. A distinctive and hugely attractive vocal sound combine to make every track a delight. From up tempo swingers to evocative ballads, René finds the right approach every time. While no track is less than very good indeed, her daring combining of 'Dixie' and 'Strange Fruit' on Vertigo borders on the miraculous. Throughout these CDs, whereon she is backed by instrumentalists such as tenor saxophonist Chris Potter, pianist Mulgrew Miller, trumpeter Jeremy Pelt, and other front rank players, René delivers a striking lesson in the art of contemporary jazz singing that is thoroughly grounded in the best of the past.
No twenty-something wannabe she, René is a mature and polished artist whose talent deserves universal recognition and thanks to rave reviews for her live appearances she is attracting the attention she so richly deserves. Impressions of her live dates can be gained from the third CD, which was recorded live at a New York club. Here, unlike on the studio recorded CDs, she is backed by her then regular working trio and again offers a richly varied and always stimulating programme of songs. For the fourth of the CDs, the aptly titled Serene Renegade, René gives full rein to her songwriting talent. All but two of the tracks are her original songs and very good they are too. Mostly, their lyrics draw from her own experiences in life and of course are delivered with integrity and passion. Without question, René Marie is the most exciting jazz singer to come along in many years. If you have yet to hear her, any one of these CDs is an excellent place to start. All of them would be better. (Buy these now ...)
To learn more about René Marie, read my interview with this remarkable singer. Originally, this appeared on the AllAboutJazz web site, where it still remains. However, the interview can now also be seen on my Article/Interview page.
Claire Martin Too Darn Hot! (Linn AKD 198)
The world of the jazz singer today is not only crowded, it is also more than a little confusing. This is especially so in the ill-defined mid-ground between jazz and pop. Of all the many singers in this world, few are unarguably jazz singers. Claire Martin is one of that select number. Not for her the compromises necessary to attract the pop fringe; she knows her mind and is set on what appears to be an irrevocable course. If this is so, and we should certainly hope it is, then it can mean nothing but good for jazz. On her latest, and very eagerly awaited CD, Claire offers a richly varied selection of songs; a few standards, some show tunes, some seemingly improbable choices, and a handful of originals. Claire performs all of these songs with care, skill, lithe swing, and a measure of reflective interpretation few other singers can achieve. A portentous mood is set by the instrumental opening of the first track and both this, and the expectation implicit in the song's title, 'Something's Coming', are fully met by everything that follows on this excellent CD. The charts throughout are inventive and bestow upon even very familiar songs, such as 'These Foolish Things' and 'Black Coffee', a shining new surface that never destroys the original core. Similarly, a song from the pop world of a generation past, such as 'It's Raining In My Heart', becomes a plaintive ballad thanks to a subtle arrangement for string quartet. Among new material is 'Noir', a song with an excellent, inventive and difficult lyric that Claire brings off with great aplomb. Anyone who has yet to hear this exceptionally talented singer should start here, but be prepared to be soon buying yet more records from Claire's exemplary discography. (Buy this now ...)
Sue Matthews One At A Time ... (Renata Music 7014)
Already much admired by those lucky enough to have heard her, Sue is a very talented singer with a fast-growing audience. Her seemingly effortless delivery, allied as it is to a smoky yet rich vocal sound freshens the standards she sings. The great standards are by no means the limit of her repertoire, which ranges outwards from a jazz core to encompass the jazzier end of pop, the blues, and that often misunderstood art, the torch song. Among the gems here are a delightfully sensitive version of 'How Insensitive', a gorgeous unaccompanied reading of 'Caledonia', a lithely swinging title track, and an eloquently moving 'Amazing Grace'. Although this is Sue's third solo album, it is the first to come my way. It most certainly will not be the last. (Buy this now ...)
Tina May I'll Take Romance (Linn AKD 202)
Tina May/Nikki Iles/Tony Coe More Than You Know (33 Jazz 100)
From her very first appearance on the British jazz scene, Tina May set her distinctive mark on the songs she sings. With every album, she has grown in stature and her reputation is now worldwide - and deservedly so. A flowing swing and a thoroughly delightful vocal sound combine to make every track on the first of these CDs, from thoughtful ballad to extrovert swinger, an immensely enjoyable experience. Adding immeasurably to the proceedings is tenor saxophonist Scott Hamilton and he and Tina blend superbly with intuitive warmth. The pair are backed here by bassist Alec Dankworth, drummer Tristan Mailliot, with Nikki Iles and Robin Aspland sharing duties at the piano. If you have yet to here this very gifted singer, this is an excellent place to start. You will not stop with just one CD, though, so read on ... The second CD finds Tina in company with two artists with whom she has been working for the past few years in an immensely satisfying trio. Pianist Nikki Iles is a major presence on the UK jazz scene, while Tony Coe has been around long enough to be deemed an elder statesman of jazz. The verve and invention these three bring to a splendid set of un-hackneyed songs is a source of constant delight. (Buy these now ...)
Carol Mennie I'm Not A Sometime Thing (CDM Records CDM 1004)
On this, her first headline CD, Carol Mennie applies her mature, tough-edged vocal sound to a repertoire that blends classic popular songs with jazz standards and originals, the latter the work of guitarist Dom Minasi. Carol is ably complemented by high calibre instrumentalists. Guest horns are saxophonist Patience Higgins and trumpeter Valery Ponomarev, while the exceptional rhythm section consists of Minasi, pianist Michael Jefry Stevens, cellist Tomas Ulrich, bassist Ken Filiano and drummer Jay Rosen, as well as guest percussionist Tom McGrath. Carol's approach to the material is adventurous, engaging and always thought provoking. Throughout, Minasi's arrangements not only frame Carol's voice but also offer insightful ideas on the material. (Buy this now ...)
Andy Middleton The European Quartet Live (Q-rious Music QRM 109-2)
This release by tenor saxophonist Andy Middleton presents driving contemporary jazz played with verve and lyricism. The four musicians are skilled and well-matched. Principal soloist is Andy and he plays with fire and passion. An American living in Austria, Andy is joined by Croatian-German pianist Tino Derado, American bassist Paul Imm and drummer Alan Jones, who is also American. If your taste in jazz leans towards the improvised music of today then you will find this an excellent example of the form. As the title indicates, the set was recorded live but the audience is remarkably discreet. (Buy this now ...)
Dom Minasi Quick Response (CDM Records CDM 1005)
Dom Minasi The Vampire's Revenge (CDM Records CDM 1006)
A guitarist of distinction, Dom Minasi has a questing imagination and seemingly limitless ideas. He also has the technical ability to bring his concepts to vivid life. He is accompanied on the first of these CDs by alto saxophonist Mark Whitecage, organist Kyle Koehler and drummer John Bollinger, all three of whom are equal to the musical tasks set by Dom's original themes of which there are six here. When the group do turn to standards, such as 'What Is This Thing Called Love' and 'Softly As In A Morning Sunrise', it is with similar invention and they breathe new life into this music.
The second CD (actually a double album) is even more strikingly original and more than a little challenging. Taking, obviously enough, the legend of Dracula as his theme, Dom weaves a tale that is every bit as imaginative as that of Bram Stoker's, the one that most of us are accustomed to thanks not only to the book but to the countless films that have charted the adventures of the lethal bat/man over the years. With long time companions Ken Filiano on bass and Jackson Krall on drums on all tracks and a host of guest musicians lending their support, Dom paints a vivid, dramatic, subtly menacing (and occasionally tongue in cheek) portrait that remains in the mind long after the music has ended. Whether or not this will find its way into the general repertoire is another matter and one that I dare say never entered Dom's mind - he is far too original and centred to worry about commercial matters. Altogether, a fascinating variation on the theme of Vlad the Impaler and, musically speaking, a match for Stoker's literary take on the subject. Far too little of Dom's music has been readily available in recent years. His disenchantment with the recording industry in the 1980s led to many years on the edges; now, though, he is back in the spotlight, which is where he belongs. Appearances on several CDs, of which these are outstanding examples, offer latterday audiences an opportunity to enter into the musical life of a significant artist who strikingly demonstrates skill, integrity and depth. This is contemporary jazz playing that demands and deserves attention. (Buy these now ...)
Monk's Music Trio Think Of One (CMB Records CB 102841)
Monk's Music Trio Monk's Bones (CMB Records CB 102842)
The compositions of Thelonious Monk are as deep and intriguing as the man himself and have long provided his heirs and successors with a rich repertoire through which they can preserve and celebrate his memory. The name adopted by this San Francisco-based trio makes clear their affiliation. The three are Si Perkoff, piano, Sam Bevan, bass, and Chuck Bernstein, who plays drums, leads the trio and is also the producer. They are all very able musicians who draw interestingly from the rich storehouse of music left by one of jazz's most remarkable individuals whose music deserves its loved and respected place in the jazz canon and this trio does well by it. On the second of these CDs two trombone players are added: Roswell Rudd and Max Perkoff. The result expands upon the possibilities signposted by the composer and, as Rudd comments: 'It's a challenging adventure, but we have our hearts, minds and ears open and no end of passion for this glorious work.' Rudd's enthusiasm for the material allied to that of his fellow trombonist, who is incidentally Si's son, matches that of the trio. The result is joyous music. I have to acknowledge a mild preference for the second CD because of the added texture brought by the horns, but both are worth your time. (Buy these now ...)
Barbara Montgomery Trinity (Bjazz.Com Records MBB 005)
Underlying the songs sung here by Barbara Montgomery is a measure of spiritual intensity that goes far beyond that of performances by many of today's jazz singers. Concerns dealt with include the twin and often interlinked losses: freedom and life. But this CD is not a polemic; rather it is a musical and heartfelt examination of the human spirit. Barbara's deep voice is rich and fluid, and draws the listener in to the emotional depths of the music. Several gifted instrumentalists accompany the singer in different formations, prominent among whom is pianist Aaron Graves who also arranged the music and co-produced with Barbara. Reflective and mature, this is music making of high quality. (Buy this now ...)
Moutin Reunion Quartet Something Like Now (Nocturne NTCD 375)
After many years playing in bands led by others, identical twin brothers François and Louis Moutin formed their own quartet in 1990. More appearances with others followed and then, in 1998, the brothers teamed up again to form this group, the Moutin Reunion Quartet. Bassist François and drummer Louis are both virtuoso players and they have brought into their band two other highly gifted instrumentalists, pianist Pierre de Bethmann and tenor saxophonist Rick Margitza. Playing with flair and imagination a repertoire that is drawn almost exclusively from music written by the brothers, the quartet has built a solid reputation in the past few years thanks to engagements on both sides of the Atlantic and to their CDs of which Something Like Now is the fourth. Vibrant and dynamic, this is a striking contemporary jazz group. (Buy this now ...)
Rob Mullins Standards & More (Planet Mullins RME 06-01 ACD)
Concentrating on piano after mainly playing various keyboard instruments, here Rob Mullins delivers a vibrant set that mixes standards with originals. Recorded live at Steamers Jazz Club in Fullerton, California, Rob is joined here by bassist David Levray, drummer Evan Stone and tenor saxophonist Jimmy Roberts. Dynamic and driving, Rob plays with verve and enthusiasm and although known internationally through his CDs (of which this is his 16th) remains best known in the USA. Surely this must change and this CD might well provide the necessary impetus that will make the difference. Fine playing, always interesting improvisations, and fluid swing combine to make this an exceptional CD. (Buy this now ...)
Matt Munisteri Love Story (Old Cow Music 0001)
An unusual and original singer, guitar player and songwriter, Matt Munisteri is hard to pigeonhole. Love Story, the only CD I have heard of Matt and his band, Brockmumford, is an engaging blend of ingredients that are folkish, with a pinch of country, topped off with a Gallic flavouring. This latter quality is due in large part to accordionist Will Holshauser. Add to all of this a hint of jazz through the admirable trumpet playing of Jon-Erik Kellso and you have something that is disarmingly different and immensely entertaining. In short, it is ... well ... it's Matt Munisteri. If that is not enough for you, take a look at Matt Munisteri's own site. (Buy this now ...)
Mark Murphy Memories Of You (HighNote HCD 7111)
Mark Murphy Once To Every Heart (Verve 06024 9872410)
The first of these releases by Mark Murphy is dedicated to the memory of Joe Williams. For me, this is an excellent example of the fine work done over many years by one of the best of all male jazz singers. By now, Mark's voice has a lived-in sound and admirably suits the material, which is awash with the blues. Mark is very ably accompanied by a band led by pianist/arranger Norman Simmons and completed by Paul Bollenbeck, guitar, Darryl Hall, bass, Grady Tate, drums, and Bill Easley, saxophones. There are no weak moments on what is a highly recommended CD, but mention must be made of 'Memories Of You' that is given an interpretation ranking with the best ever heard.
The second CD, released in 2005 but recorded some three years earlier, teams Mark with an excellent German trumpeter, Till Brönner. The selections are all ballads and are taken with appropriate introspection and are filled with instances of how a good jazz singer, and Mark is certainly that, can make a song his own without damaging the concepts of the composer and lyricist. On most tracks a concert orchestra is featured, appropriately arranged by Nan Schwartz to frame the singer. All in all, this is a real treat and vividly demonstrates that the passing of the years have not in the least dimmed this exceptional artist's talent. It should also send many jazz fans on a search for Brönner's own recordings. Mark's many fans will not need urging, but anyone who has yet to hear him should correct that oversight without delay with either one - or preferably both - of these CDs. (Buy this now ...)
Nanette Natal My Song Of Something (Benyo Music BY 3333)
Nanette Natal Is Love Enough? (Benyo Music BY 3338)
Nanette Natal It's Only A Tune (Benyo Music BY 3339)
Nanette Natal I Must Be Dreaming (Benyo Music BY 3341)
A very good New York-based singer and teacher, Nanette Natal has a vibrant and polished singing style. Her vocal technique is excellent but she never uses it merely for effect, using it instead for the benefit of the songs she sings. The first of these CDs is a reissue of her 1980 release, which consists of seven of her own compositions, is by turn exuberant and reflective. On all of these CDs, Nanette has surrounded herself with some first class instrumentalists including Kuni Mikami (p, ky) and Ed Palermo (ts, f) on the first and on the second, Richard Wyands (p), Warren Vaché (flh), Tim Ferguson (b) and Vince Cherico (d). On the second CD, a 2000 recording, she presents a pleasing mixture of of standards, show tunes and her own compositions. On the third CD, a July 2003 recording released in the Spring of 2004, Nanette is warmly eloquent and an air of relaxed yet sultry sophistication surrounds the session on which she is accompanied by Dan Hovey, guitar, Tim Ferguson, bass, Vince Cherico, drums, and guests alto saxophonist David Brandom, trumpeter Bob Henke, and trombonists Mark Patterson and Art Baron. Nanette offers a selection of delightful ballads all of which are her own compositions. All of these songs are melodic and lyrically insightful and deserve the attention of discerning audiences.
The fourth and most recent CD, released in June 2007, finds Nanette's musical palette widening to accommodate the atmosphere of much that has gone before in jazz - blues and gospel for example - but the lyrics reveal that this is very much music for today. The changing and in many instances darkening political picture in the USA is one that affects all, inside and outside the country, inside or outside of the political stage. Nanette has chosen to address issues about which she feels strongly: poverty, prejudice, fear, injustice and the lies with which they are cloaked. Somehow, though, she has contrived to do so in a manner that retains her essential musicality. (Buy these now ...)
The National Youth Jazz Orchestra Something Old, Something New (NYJCD 023)
The National Youth Jazz Orchestra London Pride (NYJCD 026)
The first of these CDs was released in celebration of NYJO's 40th Anniversary and presents one of its relatively rare vocal albums. In showcasing singer Atila Huseyin, NYJO's founder and director Bill Ashton followed a request by the band: 'We'd all like to do something for Atila.' The result is a set that splendidly blends NYJO's powerful big band music with the vocal sound of a young man with his heart and mind set firmly in the great tradition of sophisticated song styling. The songs themselves are drawn mainly from the near and distant past but with subtly altered or added lyrics. Thanks to superbly crafted arrangements, the result is very much music for today. Peppering the charts are some fine solos by instrumentalists who make clear why NYJO continues as a hot-bed for front-rank jazz talent.
That talent it even more vividly on display on the crackling London Pride set that presents the band in some scorching compositions as well as some delightfully melodic numbers. Among the instrumental soloists on hand are pianist Will Bartlett, trumpeters Freddie Gravita, Henry Armburg-Jennings, saxophonists Tommy Laurence, Dave Shulman, Nik Carter and Simon Meredith, trombonists Jon Stokes and Alistair White and drummer James Maddren. There are also vocalists Atila Huseyin, Francesca Lewis and, making a special appearance, Cleo Laine whose turn comes with husband John Dankworth's arrangement of the Noël Coward song that gives the album its title. Sparkling big band music by a group that maintains the extraordinarily high standards it set itself way back in the 1960s. (Buy these now ...)
Junko Onishi Piano Quintet Suite (Blue Note CDP 7243 8 36483 2 0)
A very satisfying hard bop session led by strikingly gifted Junko Onishi, a powerful and dynamic pianist. Whether as soloist or accompanist, her playing is always inventive. Some of the music played here is Junko's own work, including the 10-minute title track, and shows her deep affinity with the genre. She is the driving force in what is an already strong group of musicians. Bassist Rodney Whitaker and drummer Tony Rabeson provide strong support while trumpeter Marcus Belgrave and alto saxophonist Eiichi Hayashi are at the top of their game. Although recorded in 1995, for Somethin' Else Records, this new release should draw attention to a pianist who deserves to be much more widely heard than has hitherto been the case. (Buy this now ...)
Rebecca Parris You Don't Know Me (Saying It With Jazz SIWJ 1206)
Although this is Rebecca Parris's tenth album, she still remains elusive to many international enthusiasts of jazz singing and that is a serious loss. Rebecca's vocal sound is mature and immensely satisfying; she delivers lyrics with care and affection, with wit and flair, and her phrasing is exemplary. Recently, ill-health has kept her from the scene but this strong and vibrant session shows that she is back and in outstanding form. She has full command of her remarkable instrument and swings with that appearance of ease that only the best singers can accomplish. Every track hereon is a delight; the songs include 'Weaver Of Dreams', 'Lush Life', 'Don't Go To Strangers', 'My Ship', and 'Too Late Now'. Rebecca is accompanied by a core piano, bass, drums trio of Brad Hatfield, Peter Kontrimas, Matt Gordy (with Jim Lattini replacing Matt on one track). There are also guest instrumentalists on hand, accompanying and soloing with understanding and invention. These guests are Houston Person, tenor saxophone, on three tracks, vibraphonist Gary Burton, on three tracks, and Jerry Bergonzi, tenor saxophone, on five tracks. There is not an indifferent note on this exceptional CD and must surely bring Rebecca the international attention she so richly deserves. (Buy this now ...)
Rosa Passos Amorosa (Sony Classical SK 92068)
Rosa Passos Romance (Telarc CD 83677)
One of Brazil's leading singers, Rosa Passos is also one of the best known of her compatriots in the rest of the world and the first of these fine CDs ably demonstrates why this is so. Rosa sings with eloquent grace, interpreting the lyrics of the songs, several of which are by Antonio Carlos Jobim (to whom the CD is a tribute) with care and understanding. Accompanied by gifted instrumentalists, who include pianist Helio Alves, bassist Paulo Paulelli, and drummer Paulo Braga, Rosa delvers a set of delightful performances. As can be heard throughout, Rosa is also an accomplished guitarist. This CD will add to the lustre of this gifted artist. The second CD has a very strong jazz feel, aided immeasurably by Rosa's excellent phrasing. Once again, the songs are likely to be more familiar to lovers of Brazilian music but the jazz pulse widens the CD's appeal. Rosa is accompanied here by pianist Fábio Torres, bassist Paulo Paulelli again, drummer Celso de Almeida and guest horns include trumpeters Daniel D'Alcântara and Nabor Gomes, saxophonist Vincius Dorin and guitarist Lula Galvao. If you are unfamiliar with Rosa's work then either of these CDs will be a very pleasing introduction. If you are a jazz fan, then go for the second one. (Buy these now ...)
Patrizia All The Things You Are (Patrizia 937 750 020-0)
A mature voice and forceful singing style mark this debut by Patrizia, a lady who has been around for a while but who until now has not recorded. Ably supported by Richard James, piano, Bob Magnusson, bass, Ronnie Stewart, drums, and tenor saxophonist Daniel Jackson, Patrizia swings through a selection of standards with considerable aplomb. The songs Patrizia has chosen include 'It Shouldn't Happen To A Dream', 'An Occasional Man', 'Lover Man', 'Blue Skies' and, of course, the title song of the CD. Nice, earthy interpretations and a sense that a very good time was being had by all make this a lively introduction to this singer. (Buy this now ...)
Mary Pearson You And I (Arkadia Jazz 71325)
This CD is founded in a daringly rare concept, and it is testimony to Mary Pearson's talent that she pulls it off superbly. Every track is a duo, but that alone would not make it a rarity. What does is the fact that Mary has six partners on this CD; three of them are pianists (Lynna Arriale, David Lahm and Fred Hersch), one guitarist (John Hart), one bass player (Harvie Swartz) and one drummer (Steve Davis). The result is a richly varied, intricately shaped and wholly satisfying CD that you will return to again and again. (Buy this now ...)
Ron Polson That Old Feeling (Louron LR 1)
A pleasing stroll through the Great American Song Book by Ron Polson, an experienced Australian singer. He is accompanied by the quartet led by saxophonist and arranger Laurie Lewis, who also contributes four originals composed in collaboration with Alwyn Lewis. In addition to the quartet there are also occasional guest instrumentalists on hand. The CD is unpretentiously relaxed and should appeal to those who like to hear songs presented the way their composers wrote them. (Buy this now ...)
Odean Pope Two Dreams (Creative Improvised Music Projects CIMP 303)
One of the most authoritative voices on tenor saxophone today, Odean Pope's international reputation is rather less than his striking talent deserves. Although inspired in his earlier years by John Coltrane, Odean is very much his own man and this CD of his own compositions is evidence of that fact. His playing on the mid- and up-tempo titles bristle with energy while in his more relaxed mode his sound is awash with emotion. Throughout, Odean's inventiveness is remarkable and every hearing reveals yet more moments of delight. Even the best of artists benefit from accompanists of quality and on this CD Odean is joined by three men who fulfill that description. Not only is alto saxophonist Carl Grubbs a listening collaborator, he is also a fine soloist in his own right. Completing the quartet are bassist Tyrone Brown and drummer Craig McIver who here offer matchless drive and swing, in addition to which they both have several inspired solos. This CD shines a thoroughly deserved spotlight on Odean Pope, an outstanding musician. (Buy this now ...)
Jonathan Poretz A Lot Of Livin' To Do (Pacific Coast Jazz AFP 121215)
New to me until this CD arrived, Jonathan Poretz is a fine singer of the classic pop repertoire. He takes songs such as 'Come Rain Or Come Shine', 'A Lot Of Livin' To Do', 'I'll Remember April', 'This Time The Dream's On Me' and 'Just One Of Those Things' and gives them a sharp, new edge. His respect for the tradition is evident throughout and he is always melodic and rhythmic. He is accompanied by multi-instrumentalist Noel Jewkes, here playing tenor saxophone, clarinet, flute and valve trombone, pianist Lee Bloom, with shared duties by bassists Pierre Josephs and Jeff Neighbor and drummers Vince Lateano and Harold Jones. This is a very attractive album and one that should appeal strongly to all those who love the great American songbook. Jonathan appears to be based on the west coast and those of you living out there should try to see and hear him live. I don't know for sure, but chances are his gigs are listed on his website. (Buy this now ...)
Bill Potts Porgy And Bess & Bye Bye Birdie (Lone Hill Jazz LHJ 10170)
This outstanding CD brings to another generation Bill Potts's overlooked masterpiece. Recorded in January 1959, some six months after the Gil Evans arrangements of this same music for Miles Davis became a classic of modern jazz, Bill's arrangements for this remarkable set are couched in the form of the high-powered big band sound of the period, rather than of bop. Nevertheless, the musicians brought on board for the session were clearly disciples of the new music. And what soloists! It is worth listing the full band because very nearly all have an opportunity to show their solo skills, several of them often, and together they produce some roaring ensemble passages. Personnel: Art Farmer, Harry 'Sweets' Edison, Bernie Glow, Irving 'Marky' Markowitz, Charlie Shavers (t); Bob Brookmeyer (vtb), Frank Rehak, Jimmy Cleveland, Earl Swope, Rod Levitt (tb); Gene Quill, Phil Woods (as), Al Cohn, Zoot Sims (ts), Sol Schlinger (bar); Bill Evans (p), Herbie Powell (g), George Duvivier (b), Charlie Persip (d). Sparkling solos, vivid section work and fiery ensembles all show off the masterly charts. And there's still more to come, because this CD also reissues a session Potts made four years later of his arrangements of the score from a Broadway (and Hollywood) musical. This time the band is a little smaller but still star-studded, including as it does Clark Terry, Joe Newman (t), with Markowitz, Quill and Woods again on hand. More good arrangements, superbly played. This CD, packed to the limits with wonderful music is a must for big band fans. (Buy this now ...)
Peter Primamore Grancia (Blue Apples 1031)
This debut album by pianist-composer Peter Primamore is a very attractive set of original compositions that highlight Peter's considerable skills. Fluidly floating through distinctive moods, the ensemble players all acquit themselves admirably, yet this is really a showcase for Peter as both composer and pianist. Drawing inspiration from sources that are sometimes startlingly varied - the Allman Brothers, English literature, Brazilian music, matters mystical and earthy - Peter presents a rich tapestry of musical sounds all of which are played (and recorded) impeccably. His accompanists here are too numerous to mention but all play with skill and understanding. (Buy this now ...)
Bruno Råberg Lifelines (Orbis Music OM 0508)
Based in Boston, Swedish-born bassist Bruno Råberg has established an enviable reputation throughout the USA and Europe as a first-class musician. He has played and recorded with many leading figures in jazz and has also made six CDs as leader of his own band. On this double CD, the latest album, Bruno is joined by saxophonist Chris Cheek and guitarist Ben Monder, with drumming duties shared between Ted Poor and Matt Wilson. On the two CDs in this set, the band collectively improvises eight pieces, while the remaining fifteen titles offer an intriguing look at Bruno's considerable talent as a composer. Altogether, this is an excellent opportunity to hear a leading musician, who is also a sought-after teacher through whose work the shape of jazz to come is being fashioned. (Buy this now ...)
Natalie Rae On Wings (Nat Jaz unnumbered)
Natalie Rae & George Murphy Out On A Limb (Independent unnumbered)
A thoroughly delightful singer, Natalie Rae studied with Lennie Tristano back in the early 50s, working with Warne Marsh and others. In 1999, having sung for decades with small and big bands in various parts of the country, and with only a relatively small amount of recorded material to her name, Natalie decided to make On Wings in order to document her skills and experience. Those qualities are in evidence from the outset and she delivers memorable performances of several fine songs. Her mature voice is sinewy and flexible, and she sings with a warmth and maturity that allows her to extract from the lyrics profound depths of emotion. Allied with Natalie on this CD are several fine musicians, and special note must be made of saxophonist Jimmy Halperin, another student of Tristano all those many years ago. In 2001 came the second of these CDs, this one teaming Natalie with singer-guitarist George Murphy in a very attractive set of mainly standards that are treated with great skill and engaging wit. These CDs might well be hard to track down (as always, let me know if you have problems locating a copy) but the pleasures they bring will amply repay the effort made. (Buy these now ...)
Del Rey X-Rey Guitar (Hobemian 005)
Whether she is alone, or in duo, or with a band; whether singing, or playing guitar, or a whole range of other 'picking' instruments, Del Rey possesses a rare and powerful talent. She has a large and thoroughly deserved following, mostly in the Pacific Northwest, and this audience must surely grow as her travels to other parts of the USA and overseas alert jazz and blues fans to her rich talent. Del's repertoire ranges from blues songs, by the likes of Georgia Tom and Memphis Minnie, to original songs, included amongst which is her tribute to the aforementioned lady of the blues. These originals demonstrate Del's skill at writing deftly witty and meaningful lyrics that both reflect and add a contemporary slant to the great tradition of the blues. (Buy this now ...)
Hanna Richardson Something To Remember You By (La-La Records LL 5601)
Hanna Richardson Things Are Looking Up (La-La Records LL 5602)
Hanna Richardson Simply ... With Spirit (Arbors Jazz ARCD 19301)
On the first of these CDs, her recording debut, Hanna Richardson presents a thoughtful take on a selection of delightful songs. Hanna is outspoken in her acclaim of Maxine Sullivan, a lady of impeccable taste, whose treatment of songs was always respectfully understated and this CD is also a tribute to Maxine. Hanna is accompanied here by her musical partner, bassist Phil Flanigan, whose band is rounded out by Keith Ingham (p), Chris Flory (g), Steve Little (d), with guest appearances by Allan Vaché (cl) and Ken Peplowski (cl, ts). Relaxed, unpretentious, always well performed, and thoroughly captivating, this is very rewarding set for anyone who loves to hear good songs well sung. With her follow-up CD, Hanna ably demonstrates that the first was no mere flash-in-the-pan. A very pleasing set on which Hanna explores yet more fine yet un-hackneyed examples of the songwriters' art. This time, the accompaniment again features Hanna's husband, Phil, along with clarinetist-saxophonist John Doughton and drummer Mike Melito, while Chris Flory returns and is joined by fellow-guitarist Bob Sneider. The third set marks the departure of Hanna and Phil from their own label to that operated by Mat and Rachel Domber. The band this time is similar to that on Things Are Looking Up; the difference being Johnny Frigo's violin in place of John Doughton's reeds. The album title comes from a remark made by Ruby Braff about Hanna's singing style. As he did with so many things, Ruby got it absolutely right. Three very attractive CDs, then, from a very good singer.(Buy these now ...)
Carol Robbins Jazz Play (JCTS 105)
The harp has a mixed but interesting history in jazz and Carol Robbins adds ably to that rather short list of practitioners who have made the instrument work in the genre. Joined by guitarist Larry Koonse, bassist Derek Oles, drummer Tim Pleasant and with horn soloists Steve Hufstetter on trumpet and flügelhorn and Bob Sheppard on tenor and soprano saxophones, Carol delivers some attractive and interesting interpretations of music by Bobby Troup, Antonio Carlos Jobim, John Lewis, Luis Bonfá, Johnny Mandel and Jerome Kern, as well as seven of her own compositions. Carol's playing is relaxed and melodic and the set is very easy on the ear. (Buy this now ...)
Sherri Roberts The Sky Could Send You (Blue House/Pacific Coast 70001)
Based in the Bay Area, Sherri Roberts is a pleasing singer with a wide-ranging repertoire and on this, her third CD, she is backed by a fine group of jazz instrumentalists. Principal of these is bass player Harvie S (formerly Harvie Swartz), who was also on Sherri's two previous albums. Others in the band are pianist David Udolf, guitarist John Hart and drummer Vince Cherico as well as guest soloists Lew Soloff, trumpet, Phil Woods, alto saxophone, and Tim Collins, vibraphone. There is a Latin feel to some tracks and percussionists Renato Thoms and Daniel Sadownick help set the scene. Well worth looking out for - either on this CD or, if you too are a Bay-area resident, catching live. (Buy this now ...)
Tad Robinson A New Point Of View (Severn CD 0040)
Smooth soul-blues singer Tad Robinson has been attracting respectful attention over the past few years and this CD shows why. There are sophisticated takes on songs some of which are new while others are familiar but by no means over-exposed. Attractive charts and quality playing from the core band of keyboard player Kevin Anker, guitarist Alex Schultz, bassist Steve Gomes, drummer Robb Stupka and percussionist Victor Williams. On some tracks a large ensemble makes an appearance, scored by Willie Henderson or David Finnell. Pleasing music, well played and sung. (Buy this now ...)
Bob Rodriguez Corridor (CreOp Muse 011)
An aura of contemplative calm enshrouds this fine trio set by pianist Bob Rodriguez. Accompanied by bassist Mike Richmond and drummer Eliot Zigmund, Bob develops ruminative improvisations on his own original themes, 'Corridor', 'Inside', 'It's Not The Dark' and 'Within The Line', as well as studied variations on music by Duke Ellington, John Coltrane, Fritz Kreisler and Richard Rodgers. All eight tracks are lengthy, allowing Bob space to develop ideas rooted in his wide-ranging understanding of jazz piano. A very attractive relaxed set. (Buy this now ...)
Louise Rogers & Rick Strong Bass-ically Speaking (Rilo Records unnumbered)
Fluid singing and playing mark out this duo set by husband and wife team, Louise Rogers and Rick Strong. She sings, he plays bass and they blend with seamless authority in this attractive selection of songs. Both Louise and Rick bring vast experience to their performances and a clear love for their work, is evident in the enjoyment they transmit to the listener. Both are active in education and it is good to know that the next generation is learning from musicians of this calibre. (Buy this now ...)
Erienne Romaine The Scenic Route (Synergy Music SMCD 80031-2)
Although mostly from studio sessions, some tracks were recorded live at a club date on Erienne Romaine's 14th birthday. That is something that is hard to believe given the maturity of sound and interpretation displayed here. Accompanied by a fine band of Denver-based musicians, Erienne gives eloquent performances of some attractive songs, including 'Lush Life', 'Agua De Beber' and 'Bye Bye Blackbird' and others that are less well known and good to hear. Included among these are three originals by Erienne, 'The Nothing That We Are', 'Weapon Of Choice' and 'Serenade Me', which demonstrate that her gifts extend beyond singing. Certainly a talent to watch, but ...
Shortly after this birthday, Erienne was stricken with a brain haemorrhage, a result of hitherto undiagnosed arteriovenous malformation, and her family was faced with huge bills for hospital care and future surgery. Medical insurance proved to be inadequate for what lay ahead for this talented singer; sales of this record are helping. But don't think 'charity' - this is a fine CD by a gifted artist and one that I feel sure you will enjoy. To buy this CD, go direct to http://www.ErienneRomaine.com
Jim Rotondi Destination Up! (Sharp Nine Records CD 1022-2)
Rising star of post-bop trumpet, Jim Rotondi's growing reputation is still further enhanced by this imaginative set. Joined by the gifted vibraphonist Joe Locke and trombonist Steve Davis, all splendidly backed by the rhythm section of Mulgrew Miller, Peter Washington and Joe Farnsworth, Rotondi's playing crackles with fiery virtuosity. On this album are some of his own compositions, all of them gleaming examples of another facet of his remarkable talent. Clearly, Jim has far to go and on the basis of this set he will accomplish that end, and do so without loss of invention, skill and verve. (Buy this now ...)
Jimmy Rushing His Complete Vanguard Recordings (Vanguard 662093)
Jimmy Rushing Rushing Lullabies (Columbia Legacy CK 65118)
Jimmy Rushing Every Day I Have The Blues (Impulse! 314 547 967 2)
In a very loose sense, Jimmy Rushing's career can be divided into three stages. The first was his tenure with Count Basie in the 1930s and early 1940s; the second lasted for about a decade from the mid-1950s; the third covered the final years of touring with pick-up bands. The first period was sublime, the third was often lacking in vitality (although it is hard to think that his last recording of all, The You And Me That Used To Be, was anything other than his best of all).
All three of these CDs come from the middle period, when Jimmy recorded with some of the best blues and mainstream players around. He is backed here by instrumental soloists who include trumpeters Emmett Berry, Clark Terry, Doc Cheatham and Buck Clayton, trombonists Vic Dickenson, Dicky Wells and Lawrence Brown, saxophonists Earle Warren and Buddy Tate, and pianists Pete Johnson, Sir Charles Thompson and Sam Price. As for the rest of the rhythm section players, on the Vanguard set they are his old Basie stablemates, Freddie Green, Walter Page and Jo Jones, and that is about as good as it gets. The songs reflect the period, too, with their mixture of Basie staples and those that were to become the potentially jaded standbys of the late years. Potentially jaded, because, however many times Jimmy sang 'Goin' To Chicago' and 'Every Day I Have The Blues and `'Exactly Like You', he always gave his audiences his very best.
The first two of these songs appear here, on the Vanguard CD, along with 'See See Rider', 'Sent For You Yesterday', 'Good Morning Blues' and 'Evenin'' - among 24 titles spread over the two CDs that make up the double. Two of these tracks are instrumentals, one of which allows Johnson to reprise his classic, 'Roll 'Em Pete'.
Rushing Lullabies, is also a double; one CD is the original LP of the same title, while the second started life as Little Jimmy Rushing And The Big Brass. On the former, he sings ''Deed I Do', 'Pink Champagne', and 'Russian Lullaby' (of course), among 16 selections. On the latter, Mr Five by Five, is escorted by a mighty big band, with charts by Clayton, Jimmy Mundy and Nat Pierce, and solos from Tate, Clayton, Pierce, Wells, Cheatham, Urbie Green and Coleman Hawkins. The singer swings his way through 'Rosalie', 'June Night', 'Someday Sweetheart' and 'I'm Coming Virginia', among eight sparkling performances.
The song selection on the Impulse! set varies the mixture somewhat. Not as much, perhaps as that final recording session that was still four years in the future, but songs like 'Keep The Faith, Baby' and 'Evil Blues' were not regular items in his repertoire. The accompanying musicians again include stalwarts such as Terry, Wells, and Tate, alongside Kenny Burrell, Shirley Scott, and Dave Frishberg, who would, of course, be the instigator of The You And Me That Used To Be.
Any one of these CDs is worth having and for anyone unfamiliar with this fine singer's work the first two will provide admirable introductions to one of my three favourite male singers. (Buy these now ...)
Sandi Russell Incandescent (Freedom Song FSSR 1001)
Sandi Russell Sweet Thunder (33 Jazz 165)
Resident for several years in the UK, Sandi Russell is New York-born and has successfully toured her one-woman show, Render Me My Song, a history of African American women writers in words and music. This is the context in which I first heard her; that was in 1996 and although I missed her debut CD, 1998s Live At The Pizza On The Park, the long wait for these CDs has been worthwhile. On Incandescent Sandi is in excellent form. Mature and fluid in her vocal sound and interpretations, she is a commanding presence and with the backing of some fine musicians the result is an experience just as impressive as that when I first heard her. There are no weak tracks and the repertoire is a good mix of popular and jazz songs, with one or two lesser known but attractive items. Sandi has on board an exceptionally good rhythm section: Dave Newton, piano, Andy Clynedert, bass, and Steve Brown, drums. This CD is very warmly recommended and if you have trouble finding it, check Sandi's website detailed on my Links page.
I had the privilege of writing the liner notes for Sandi's new CD, Sweet Thunder, which has among her accompanists David Murray, Guy Barker and Alan Skidmore. On this album, Sandi delivers outstanding interpretations of many fine songs, including 'The Nearness Of You', 'Send In The Clowns', 'A Night In Tunisia', 'Spring Can Really Hang You Up The Most' and her own 'Given Time' and 'Feet On The Ground', both written in collaboration with Dave Newton. The following is a brief extract from my notes:
Sandi is exceptional because she is a mature, worldly woman with ample experience of music and of life. She knows what to sing, how to sing the songs she chooses, and who to have by her side as she does it.
Sandi’s repertoire is exemplary, blending the familiar with the forgotten, the overlooked with the overused (which she recreates in vibrant fashion), and adding in an occasional example of her own lyric-writing skills. As for her accompanists, they are all outstanding exponents of their art. Collectively, singer and instrumentalists, allied to an excellent repertoire, present a remarkable album that is worth having in every delightful detail.
Mature and confident, Sandi’s vocal sound allows her to bring to her material musical and textual undercurrents that make her interpretations more than merely entertaining songs – although they are certainly that. These performances, rich in musical knowledge and lyrical subtexts, are a joy to hear and will linger for a long, long time when the ephemera that abounds today has been forgotten.
Jackie Ryan Passion Flower (Open Art OA 07272)
Jackie Ryan You And The Night And The Music (Open Art OA 07292)
A vivid singer with a rich contralto voice, Jackie Ryan's international reputation is steadily growing and this CD will surely extend her audience. She displays a sense of warm maturity in her choice of songs and the approach she takes to them. Jackie delivers her interpretations with fine diction, excellent phrasing, an unfettered sense of swing, all of which is rounded out by an effective no-unnecessary-frills style of performance. Jackie is of Mexican and Irish-American parentage and incorporates into her repertoire some attractive Latin songs. Her accompanists on the first of these albums, from 2002, include pianist Larry Vuckovich, bassist Jeff Chambers and drummer Eddie Marshall, along with guest horns Allen Smith, trumpet, and Noel Jewkes, saxophone. The second CD comes from 2006 and features guest tenor saxophonist Red Holloway, harpist Carol Robbins, and the rhythm team of pianist Tamir Hendelman, guitarist Larry Koonse, bassist Christoph Luty and drummer Jeff Hamilton. Mostly, Jackie's songs are from the Great American Song Book, and they are sung with graceful flair and thorough understanding of the lyrics of the songs. This is an exceptionally good singer and one whom you should waste no time in hearing. (Buy these now ...)
Spider Saloff Sextet (Kopaestehtics 2936-6013-2)
A strikingly gifted jazz singer, Spider Saloff also has a commendable flair for ballads. On this admirable set, she swings through a very attractive selection of songs ably backed by the rhythm section of pianist John Collianni, bassist Ray Drummond and drummer Klaus Suonsaari. Also on hand with some fine solos are trumpeter Tom Harrell and saxophonist Nick Brignola, while Bobby Sanabria adds some colourful percussion touches. Spider's approach to her work demonstrates her understanding of the genre and material, while her musical integrity is displayed through the care and intelligence with which she performs. Based in Chicago, Spider is a singer you should take the time and trouble to seek out. You will certainly not be disappointed. (Buy this now ...)
Michelle Samuels Across A Crowded Room (unlabelled unnumbered)
With this, her debut CD, Michelle Samuels stakes a claim to future recognition. Although still young, she has a mature sound and her approach to the material, mainly standards, displays good taste and intelligence. She is accompanied here by pianist Adam Asarnow, bassist Steve La Spina, guitarist Paul Meyers and drummer Rich De Rosa. The presence of singer Anne Phillips as producer has ensured a polished glow to what must surely be only the first of many CDs from this singer. (Buy this now ...)
Jody Sandhaus A Fine Spring Morning (Consolidated Artists Productions CAP 981)
This very attractive album from Jody Sandhaus enhances her already secure reputation among the discerning fans of quality jazz singing. Backed by the solidly swinging trio of pianist Pete Malinverni, bassist Todd Coolman, and drummer Leroy Williams, Jody presents an interesting repertoire that mixes well-known standards with some gems from leading composers that are less well known than should be the case. Indeed, this last comment might reasonably be applied to this fine singer who richly deserves the attention of a far wider audience than has so far been the case. This CD could well be the one that makes the breakthrough into international acceptance and acclaim. Those of you who have encountered Jody before now will need no further urging to add this to your collection. (Buy this now ...)
Janet Seidel The Way You Wear Your Hat (La Brava LB 9801)
Janet Seidel Comme Ci, Comme Ça (La Brava LB 0033)
Janet Seidel Doris & Me (La Brava LB 0038)
Janet Seidel Don't Smoke In Bed (La Brava LB 0050)
Janet Seidel Hooray For Christmas (La Brava LB 0065)
Janet Seidel Delovely (La Brava LB 0070)
Janet Seidel Moon Of Manakoora (La Brava LB 0068)
Although this exceptionally gifted Australian singer draws her repertoire largely from the Great American Song Book, she also loves French songs and that predilection makes itself apparent here. The first of these CDs is a double, a studio recording and a live concert - the latter recorded at the Art Gallery of South Australia during an exhibition of all things French. The second CD takes the French connection several steps further as Janet deftly shapes her selection of songs into jazz works without ever losing any of their original intrinsically Gallic flavour. Her accompanists include her brother, David Seidel, who, in addition to playing bass, is co-owner with Janet of this record company. Over the years, Janet has widely and happily acknowledged some of her inspirators and she pays tribute to two of them with the second pair of CDs. As the album titles make clear, they are Doris Day and Peggy Lee. Far too original and honest to fall into the trap of copying, Janet draws on repertoire rather than vocal sound, although here and there are astute hints of stylistic awareness. The first of these sets is actually Janet's similarly titled cabaret show and she also plays piano, zipping through 31 songs in a beautifully relaxed yet rhythmic manner, the two ingredients one most associates with Day. As just a glance at the song titles on the fourth CD indicates, Lee placed her indelible and magical mark on many songs: 'Black Coffee', 'He's A Tramp', 'Fever', 'I Don't Know Enough About You', 'Mr Wonderful', 'The Folks Who Live On The Hill', 'Street Of Dreams'. It is a measure of Janet's skill, sincerity and admiration that during her performance it is to her own interpretations of these wonderful songs that all attention is drawn.
As for the 2004 release of Christmas songs, do not be misled into thinking that this is a CD for playing only during the holiday season. By no means is this so; you will find yourself playing it whatever the time of year. Janet is without question, a singer for all seasons. Janet's next release finds her in concert at The Woodfire, a popular Sydney venue. Recorded without overdubs and unedited, apart from taking out some of the inter-tune talk (the show last longer than even a well-packed CD can accommodate), this set has Janet accompanying herself at the piano with David on bass and Chuck Morgan on guitar. All the music hereon is by Cole Porter, with which it is clear that Janet has a real affinity. Hold on to your hats, but Moon Of Manakoora includes the hitherto non-jazz sound of a ukulele. During a 2004 visit to Japan, Janet was accompanied at a concert by David and Chuck. The guitarist had that day bought a ukulele and the audience not only spotted the instrument, but turned out to be made up in large part of ukulele admirers. They demanded that he play his new instrument and rather than cause an international incident, he did so. They gave him a standing ovation and it's not hard to see why. At this subsequent recording session he was persuaded to feature the instrument again and his skill is startling. At heart, though, he is a jazz player and it shows, so doubters can be reassured. Ably abetted by David's bass and percussionists Billy Ross on some tracks and Laurie Bennett on others, Chuck helps provide Janet with an exhilarating backing for some fine vocals on an attractive selection of songs that include 'When Lights Are Low', 'Twilight Time', 'Delicado', 'Don't Be That Way', 'Deep Purple', 'April In Portugal' and, of course, the title song of the album.
Throughout all of these CDs, Janet is backed by instrumentalists who collectively and individually vividly demonstrate the great jazz strengths that lie in Australia. Increasingly in recent years, Janet has played outside Australia and the Far East; hence her audience in the UK and the USA is growing just as is deserved by a singer with her talent. Recent tours of Europe have helped change that, and listening to these or any other of the excellent CDs she has made can only enhance Janet's reputation.
