Bruce Crowther´s Reviews

The following are necessarily brief notes on some CDs I have enjoyed, and continue to enjoy.

The reason for brevity is pretty obvious. Keeping up with the flood of CDs being issued in ever-increasing numbers comes close to being a full time job and I already have one of those.

So, if you want more information, try going to an artist's own website (some of which can be reached via my Links page), or from the record company links (where shown with the review).

Mostly, these are Jazz Instrumentalists and Jazz Singers, but there are a few superior pop singers, some from the smooth jazz scene, also a few Brazilian and Latin-American musicians, and others hard to categorize. Just click on the name of the artist ...

Although Rez Abbasi's previous albums have been more centrally placed in the context of contemporary jazz, the touch of Indian music has long been evident. This time, Rez shifts the focus and draws heavily upon the rich repertoire of Indian music. Playing electric and acoustic guitars as well as the sitar-guitar, he is joined by Hammond organist Gary Versace, percussionist Dan Weiss and vocalist Kiran Ahluwahlia. Adding colour and texture are gusts Rudresh Mahanthappa, alto saxophone, Marc Mommaas, tenor and soprano saxophones, Gautram Siram, mridnagam, and Naren Budaker, whistling. The result mixture is dynamic and thought-provoking and fulfills the promise of the album's concept. (Buy this now ...)

This exceptionally talented vibraphone player and composer here demonstrates all his many skills in a set that ranges through introspective pieces to those that are urgent and powerful. Backed by bassist Fred Randolph and drummer Sameer Gupta and with the solo horns of Erik Jekabson, trumpet and flugelhorn, and Mitch Marcus, tenor saxophone, Ben consistently displays eloquence and elegance in music that is by turn reflective and thought provoking. Released on 13 June 2006, this is music of today but remains in touch with the past through Ben's awareness of the impact and importance of jazz masters who have gone before. (Buy this now ...)

In this tribute to Duke Ellington, Carol Akerson reveals a remarkable vocal talent. She swings with that appearance of effortlessness that comes only after years of hard work and experience. Her interpretation of lyrics demonstrates a rare intelligence, and with every note she makes the listener aware of her deep love for the music. Carol is nowhere nearly as well known as her talent demands. A similar comment might well be made about the accompanists hereon: Bob Winter (p), Jon Wheatley (g), John Lockwood (b), Jim Gwin (d) and Herb Pomeroy (t) and Mike Monaghan (reeds). You might have to look hard for this 2000 release, but the effort will be amply repaid. Fine music given the kind of treatment it deserves by a singer of note. (Buy this now ...)

This exceptional CD vividly displays the remarkable legacy of pianist Mary Lou Williams (1910-1981) and at the same time makes clear that thanks to pianist Geri Allen that legacy is in safe hands. Accompanied by bassist Buster Williams and drummer Billy Hart, Geri reminds us how good and advanced was Mary Lou Williams' composition, 'Zodiac Suite', back in 1945. Treating the work respectfully yet vitally, Geri demonstrates that this music is timeless. In addition to the suite's twelve movements, Geri also plays MLW's 'Intermission' and, with Andrew Cyrille replacing Billy Hart, adds Herbie Nichols' 'The Bebop Waltz' and Geri's own composition, the appropriately titled 'Thank You Madam'. This CD is strongly recommended to all who love good jazz piano playing. (Buy this now ...)

In this 2003 recording, the gifted Norwegian bass player Thomas Winther Andersen's regular band, Line Up, is joined by American tenor saxophonist Jimmy Halperin for a thoroughly contemporary exploration of some pleasing melodies, most of which are Thomas's compositions. The musicianship here is of a very high order and there are numerous attractive and thoughtful solos by Thomas and Jimmy as well as by trumpeter Torgrim Sollid and guitarist Hakon Storm.Mathisen, while drummer Steve Altenberg provides a firm yet fluid base to the improvisations. Certainly, these are musicians to look out for. (Buy this now ...)

An attractive CD, her first, by a singer who has clearly had a lot of experience. Indeed, Leonisa Ardizzone and her quartet have been playing together for about eight years. This brings a seamlessness to their playing and each is fully at ease with all the others. Speaking of the others, they are guitarist Chris Jennings, bassist Bob Sabin and drummer Justin Hines. Of the three, producer Chris has most solo space and he takes full advantage of this turning in some attractive and deceptively simple-sounding solos. The repertoire chosen by Leonisa and Chris is a very pleasing mix of standards, 'Autumn Leaves' and 'You Go Yo My Head', jazz works, 'Anthropology' and 'Goodbye Porkpie Hat', and some new songs of which Justin's 'Afraid Of The Heights' (that's Washington Heights) is a witty and enjoyable excursion. (Buy this now ...)

A scorching set of hard bop with a hint of the powerhouse organ trios of yesteryear. Not that there is anything the least bit dated about this contemporary jazz quartet. For this date, drummer Al Ashley brings on board organist Oliver Von Essen, guitarist Rick Stone, and special guest saxophonist Dave Liebman. Together, they make tough-edged gutsy statements that vigorously confirm their masterful ability. The seven tracks are all originals by one or another of the quartet and ably display their writing skills. Although a veteran of the modern jazz scene, this is Al's first date is leader. We must hope that it is not his last. (Buy this now ...)

Striking and dynamic contemporary jazz from a virtuoso bass player and a group of exceptional instrumentalists. Gregg Austin is classically trained but has played for many years in jazz and Latin groups, mainly in and around New York. Here, Gregg teams up with trumpeter John Bailey, saxophonists Myron Walden, Stacy Dillard and Yosvany Terry, pianist Luis Perdomo and drummer E.J. Strickland. The music they play is exhilarating and forceful and the set is awash with sparkling solos and fiery ensemble passages. Writing the music with the players in mind, Gregg has created a set of exceptional pieces. Individually, the music and the musicians are very good indeed; collectively, the result is an album of jazz for today that will surely be heard often in future years. (Buy this now ...)

Over the years, awareness of the true role of Mildred Bailey in the story of jazz singing has varied. Mostly though, true believers, whether performers or listeners, have never lost sight of the fact that she was a major talent and a significant influence. Often, this influence has come down second or even third hand. Ella Fitzgerald was influenced by Mildred, and heaven alone knows how many singers were affected by Ella; the numbers who must owe something to Mildred is incalculable. For this reissue, producer Ted Takashi Ono has selected 23 tracks on 11 of which she is with the Ellis Larkins Trio; a further 8 are by a Red Norvo small band, which also includes Larkins. The result is a reaffirmation of Mildred's qualities; subtle, delicate, softly swinging, and filled with integrity. Here also, is also an opportunity to hear the supreme skills Ellis Larkins brought to the art of accompaniment. Larkins, who died on 29 September 2002, once observed that of all the singers he accompanied in his long career, Mildred was the best. This CD will help you understand why Larkins thought this way. (Buy this now ...)

For the past year or so, playwright Alan Plater has toured the UK with a live show in which he recounts anecdotes about some of the lesser-known names in jazz but who are still giants in our collected memories. It is not just talk, though, for Plater has also written the lyrics to several songs about these giants and with music by Alan Barnes they are played by a top-flight band of UK jazzmen and sung by leading jazz singer Liz Fletcher. This CD captures the music - but sadly not the anecdotes. And what good music it is too. Lively compositions, witty words, superbly played by the band and eloquently sung by Liz. Among other instrumentalists on hand are trumpeter Bruce Adams, saxophonist Stan Sulzman, pianist Brian Dee and drummer Clark Tracey. The jazzmen to whom tribute is paid include Sonny Criss, Slim Gaillard and Joe Harriott. And a more than passing acknowledgement is paid to those other unsung heroes of the jazz world, Blue Note Records, Miles Davis's fans, and those local rhythm sections that seek vainly but always hopefully to rise beyond their limitations when the visiting giant comes to town. This thoroughly engaging and hugely entertaining CD has something for everyone, be they musician or fan, student or anorak. (Buy this now ...)

Christy Baron sings with a light yet assured touch, bringing to the songs on the first of these two CDs a thorough understanding of the emotional depths of the lyrics. Among the songs chosen by Christy are familiar titles such as 'A House Is Not A Home', 'That Old Devil Moon' and 'The Lies Of Handsome Men' and works that while less familiar are of equal quality, among them Carole King's 'Bitter With The Sweet' and 'Stand Behind Me', and David Finck's 'The Way He Captured Me'. David, who is a regular musical colleague of Christy's, is also arranger and musical director and plays the bass. Altogether, this is a wholly admirable set of very good songs sung effectively by a singer of considerable merit.

A glance at the song titles on the second CD generates quite a surprise: 'Froggy Went A Courtin'', 'Home On The Range', 'Baa Baa Black Sheep', 'Three Blind Mice' and still more familiar melodies from the nursery gardens of our memories. The concept for this intriguing set came from pianist-arranger Roger Davidson. It presents a selection of children's songs set to the rhythms of the Caribbean and Brazil. What is most compelling is that nowhere is there any hint of condescension. This is an ideal CD to play for even the youngest of kids with the confidence that it will also delight the grown-ups. Perhaps I should add, although it isn't really necessary for a singer of Christy's calibre, that the lyrics are sung with clarity and warmth. The musicians involved with Christy and Roger are David Finck again on bass, Paulo Braga on drums, saxophonists Oscar Feldman and Aaron Heick, who between them appear on almost every track, as well as percussionist Marivaldo dos Santos and oboist Susan de Camp. (Buy this now ...)

Off the recording scene for a decade since his debut album, It's About Time, singer Danny Barrett returns with a delightful set of songs, mostly romantic ballads, for which his rich and fluid baritone is ideally suited. Here, he is backed by a fine group of jazz, Latin and session musicians who ably and accurately perform pianist Bill O'Connell's arrangements. Here, then, is a CD that will appeal to lovers of romantic ballads. (Buy this now ...)

You will know that Ray Barretto died before this, his last recording, was released. Adding to the sense of dismay at this sad loss, the pianist on the set, Hilton Ruiz, also died in early June 2006. Fortunately, there is nothing sad about the CD - the music is lively and filled with the exhilaration that comes from musicians doing what they love to do. The CD is a fitting tribute to both men, and they are ably aided by bassist John Benitez, drummer Adam Cruz, along with guest horns David Sanchez, Papo Vazquez and Chris Barretto. As the album title makes clear, the music hereon is largely from the great standards but none is hackneyed; for example, 'Suddenly It's Spring', 'I Had The Craziest Dream' and 'Baby, Baby, All The Time'. In any event, all of the songs are treated with fresh eyes and ears. A CD to appeal to those who like the jazzier side of Latin music. (Buy this now ...)

Even though it has been a long wait since April's remarkable debut, My Dream Is You, the waiting has not been in vain. Once again, most of the music and lyrics are her own and, also as before, these are beautifully crafted songs. In performance, the same huskily confident vocal sound is in evidence, and she delivers her lyrics with all the appropriate nuances. Also repeated, is the accompaniment of her long time musical associate (and occasional partner in writing and arranging) guitarist David Hungate. Together, these consummate artists, aided by a subtly supportive rhythm section and guest soloists, who include saxophonist Denis Solee and veteran guitarist Chet Atkins, provide a delightful set of what must surely become standards of jazz and popular song. (Buy this now ...)

This highly talented young singer is new to me and a very welcome addition to the ever-growing fold. Joy Bellis has a light and slightly sinewy vocal sound, swings ably and interprets lyrics with warmth and understanding. Here, she is joined by a highly compatible trio, again new to me but, like Joy, all are familiar on the New York jazz scene. The pianist is David Epstein, on bass is Robert Sabin and on drums Jeff Davis with additional percussion by Doug Hinrichs. Interestingly, Joy does not hog the limelight and allows plenty of solo space to the pianist and also some to the bassist and drummer. These solos are very well taken and I shall welcome hearing any or all of these instrumentalists again. This said, the album is a vocal set and I like it a lot. The songs are well chosen and while most are familiar none is overused. You might have to look hard for this CD but any effort spent will be very well rewarded. Joy is a fine singer and her debut CD is one that I will return to often in the future. I should also mention that everyone here sounds as though they are enjoying themselves and are not above a gently tongue-in-cheek reading where one is appropriate. How rare that is these days, and how nice. (Buy this now ...)

Louie Bellson The Sacred Music Of Louie Bellson & The Jazz Ballet (Percussion Power)

These are remarkable compositions by master drummer Louie Bellson. The first of these works was inspired by Duke Ellington's sacred works, which Louie played while a member of Ellington's band. Additionally, Louie was encouraged by Ellington to write this music. The works are performed here by Louie with students of the University of Southern California, the Thornton School of Music Jazz Band, and the Symphony String Orchestra and Choir. The music is commanding and inspired and the playing matches the needs of the music in every respect. Throughout this fascinating CD there is much that appeals to the ear and to the mind and will be welcomed by those who appreciate not only this very fine musician but also to those for whom jazz can be a highly appropriate vehicle to transport the listener to other forms. Released on 1 June 2006, this is warmly recommended set. (Buy this now ...)

Recorded in Cape Town in, respectively, 1999 and 2002, the first two of these CDs demonstrate the liquid skills of this highly distinctive singer. Relaxed and introspective interpretations of classic songs abound - 'When Day Is Done' and 'Body And Soul' on the first, 'I'll Follow My Secret Heart' and 'Someone To Watch Over Me' on the second are examples. There are also lesser known songs, such as Duke Ellington's 'All Too Soon' and one of Sathima's own compositions, 'Musical Echoes'. Matching the loving care that the singer brings to this music is fine playing from her accompanists. On Cape Town Love she is joined by the veteran South African pianist Henry February, bassist Basil Moses and drummer Vincent Pavitt; while on Musical Echoes, Stephen Scott is at the piano and Lulu Gontsana at the drums. This is music for the connoisseur of elegant singing by an artist whose appearances on record and in live performance are not nearly as frequent as her talent demands.

The third CD, released in September 2006, consists of eleven tracks from earlier albums, plus a previously unreleased duet, on 'It Never Entered My Mind', by Sathima and her husband, internationally renowned pianist Abdullah Ibrahim. Elsewhere, Sathima is accompanied by Duke Ellington on his own 'I Got It Bad And That Ain't Good', from a 1963 session, A Morning In Paris (Enja ENJ 9309 2); by Kenny Barron, with Buster Williams and Billy Higgins, on 'Indian Summer', from 1985's Windsong (ekapa 006) 'Lush Life' and 'Loveless Love', from 1989's Southern Touch (Enja ENJ 7015 2). This last song starts out with the original lyrics sung a capella, before pianist, bassist and drummer enter in high life rhythm and Sathima sings the later 'Careless Love' lyrics. This has always been one of my favourite tracks and is one that defies any listener to stay in his or her seat. I recall Sathima telling me that it was not planned to include this on the session, but was something the four of them had played before and they used it as a warm-up and, praise be, the tapes were running. Among other songs on this compilation Sathima sings 'Ah! Sweet Mystery Of Life', from Dedications, 'I Only Have Eyes For You', from Cape Town Love, and 'I'll Follow My Secret Heart', from Musical Echoes. If you are unfamiliar with this fine singer, do try this compilation, released in celebration of Sathima's 70th birthday. I am sure that it will lead you irresistibly to the other CDs from which it is drawn. (Buy these now ...)

In 2000, in collaboration with Ed Anderson I wrote an essay for the book, Sathima Bea Benjamin: Embracing Jazz, edited by Lars Rasmussen, an enterprising Danish jazz lover. The book, complete with 2 CDs (and other books and CDs) can be found at Lars Rasmussen's own site.

Alison Bentley Songs Of Leonard Bernstein & Irving Berlin (Slam SLAMCD 248)

Growing in stature with every release (this is her third CD), Alison Bentley has become a formidable talent in the UK jazz scene. Blessed with a true, strong voice, she is somewhat more inclined towards the jazz end of the jazz-pop spectrum than are many of her contemporaries in the field. Here, she is joined by a very good band with hard bop leanings: Dave Frankel (p), Dave Jones (b), Paul Cavaciuti (d) and sharing solo spotlights, trumpeter Steve Waterman and alto saxophonist Martin Speake. With CDs like this one to her credit, international recognition must surely be beckoning. Certainly, Alison has enormous potential, and should she decide to move towards a more pop-oriented style she will do wonderfully well. The financial benefits of that aside, I rather hope she stays where she is; the jazz singing scene needs singers like this. (Buy this now ...)

One of the outstanding big bands of the 1970s, Bill Berry's LA Band was rich in talented soloists, powerful in execution, and dedicated in its approach. Sadly, it was barely recorded. Only Hello Rev and the almost impossible to find vinyl, Hot 'n' Happy, were issued. This CD incarnation of Hello Rev is therefore a 'must have' for all lovers of big band jazz at its fiery best. Soloists include Richie Kamuca, Marshal Royal, Jack Sheldon and Dave Frishberg. This album almost matches the awesome experience of hearing the band live, something that I will never forget. Some idea of the durability of this music might be gained from the fact that every week for several years I opened my radio show with the title track without ever tiring of it. The small groups on Shortcake also abound in distinguished soloists and additionally are marked by ingenious and witty charts.

For several years in the 1990s, Bill Berry and his wife Betty organized the Pacific Jazz Party, a richly rewarding trans-oceanic collaboration between musicians from America and Japan. The fine mainstream set, Jazz Party, is one result of this meeting of musical minds. Cornetist Bill co-leads with his counterpart, clarinetist Eiji, and they are joined in the frontline by young tenor saxophonist Sam Sadigursky. The pulsating rhythm section similarly draws from both countries: pianist Kotaro Tsukahara and the veteran bass and drums team of Ray Brown and Jake Hanna. There are very attractive solos from all participants in a tuneful repertoire that draws from the great standards, some items from the Ellington-Strayhorn song books, and a few un-hackneyed items and originals. This album might be hard to find but it is very well worth the effort. The same comment might also be applied to Live at Capozzoli's, which was recorded during a late 1990s Las Vegas club date. The uncommon front line of Bill's cornet and Jack's baritone saxophone lend interesting textures to a nice selection of numbers, most of which are standards.

Bill Berry's death, in November 2002, brought to an end a personal friendship that existed between us since the late 1970s. I shall miss him but count myself lucky to have known him and to have heard him play many times live, with various small bands and on one never-to-be-forgotten occasion, with his mighty big band. At least, we still have the records. (Buy this now ...)

A smoothly polished performance from alto saxophonist Tyrone Birkett, this debut release brings a contemporary touch to gospel and also offers an opportunity to hear the artist's own compositions. Here, he is joined on some tracks by vocalist Paula Ralph-Birkett and is backed by instrumentalists such as Pablo Vergera, Garnet Walters Jr, and Steve Williams, keyboard, Willie Brown, Tim Reyes, guitar, Kirk Lyons, bass, and Lonnie Christien, drums. Attractive music, played with skill and integrity. (Buy this now ...)

A very experienced alto saxophonist, David Bixler, a former student of George Coleman, has worked over the years with many noted big bands including those led by Lionel Hampton and Toshiko Akiyoshi as well as the Chico O'Farrill Afro-Cuban Jazz Orchestra. Here, David leads his own striking small group that includes trumpeter Scott Wendholt and the front-rank rhythm section of guitarist John Hart, bassist Ugonna Ogekwo and drummer Andy Watson. David is also an accomplished composer and all the music on this CD is his own. Now involved in jazz education, David is bringing his approach to music to the next generation and it is clear from this set that the future of the music is in good hands. (Buy this now ...)

One of the outstanding performers in contemporary jazz, Jane Ira Bloom has remained consistently at the forefront of new concepts and has been unfailingly committed to her art. In the first of these CDs there is much more than the music - which is adventurous and thought-provoking, delving as it does into the interpretation of dreams - there is also an opportunity for the listener to enter into Jane's thought processes. These are what have brought this remarkable artist to where she is today and in particular to what she has sought to achieve with this release. She is joined here by three like-minded instrumentalists whose roles are never limited to those of accompanists only; they are full participants in this musical journey. They are keyboard player Jamie Saft, bass player Mark Dresser and drummer Bobby Previte.

Following the death not so long ago of Steve Lacy, it is hard to think of anyone playing soprano saxophone today who brings to music qualities such as those Jane displays. On the second CD, she is joined by Dawn Clement, acoustic and electric piano, Mark Helias, bass, and Matt Wilson, drums. With the exception of the closing piece, 'This Nearly Was Mine', all compositions are Jane's and they allow unfettered playing by all four members of the group. Jane's playing of the soprano saxophone is fluid, graceful and impassioned, while that of her companions follows her example and results in some exceptional solos. This is music for today, played with fervour and conviction; and it is always melodic, charming and above all accessible to the discerning listener. (Buy these now ...)

This thoroughly enjoyable set by Suzy Bogguss is a foray into the very musical field of traditional country music. Although labeling music can be limiting and potentially misleading, I will risk suggesting that this is what might be termed contemporary Western Swing. Suzy is a highly talented singer and here she offers a lively take on some attractive material, included among which are good versions of three songs by April Barrows. As April is one of my favourite songwriters (and a very good singer in her own right), appearance of her music alone makes this a set worth hearing. Add to this the fact that Suzy has an extraordinarily attractive voice and this is clearly a CD worth hearing. If you are unfamiliar with Suzy's work, this is an excellent place to start. (Buy this now ...)

One of the outstanding guitarists of the day, Paul Bollenback has appeared on numerous albums, both in support of others and under his own name. This set, released in October 2007, is his seventh as leader and is thoroughly delightful. For this CD, Paul has brought in trumpeter Randy Brecker to share the solo spotlight. Paul and Randy are subtly and superbly supported by bassist Ed Howard and drummer Victor Lewis. In addition to the instrumentalists there is also a very attractive vocal touch from Chris McNulty on some of the tracks. On this set you can hear some of Paul's original compositions, 'Dancing Leaf', 'Songline' and 'Invocation', the latter a longer work presented in two parts; there are also interpretations of John Coltrane's 'After The Rain' and Johnny Mandel's 'Emily', as well as the standard, 'How Deep Is The Ocean'. This is a first-rate example of an exceptionally good contemporary jazz musician in fine form and playing with front-rank collaborators. (Buy this now ...)

On the first of these CDs from Joyce Breach, she selects songs recalling favourite movie moments and delivers them all with warmth and understanding. If this is an exercise in nostalgia, then it is one that is accomplished without sentimentality. Joyce has such understated good taste that not only does she summon up reflections of the original placing of the songs but finds new things to say that refreshes the material, making it sing out anew. Among the songs Joyce sings here are 'That Old Feeling', 'That's For Me', 'Laura' and 'A Certain Smile'.

On the next two CDs, Joyce pays tribute to the artistry of Mabel Mercer, something that she achieves with effortless grace. She does much more than this, however, because along the way Joyce also vividly demonstrates to anyone who might not have encountered her before now that she is an artist of considerable stature in her own right. Drawing upon the depthless well of lyrical interpretation that was Mabel's legacy, Joyce places her own stamp upon all of these songs. She also injects a fluid swing, something in which she is aided by the always excellent Keith Ingham on piano (who is also on Reel Songs), to say nothing of the subtle cushioning of James Chirillo, guitar, and Greg Cohen, bass. Some of the songs are familiar: 'From This Moment On', 'My Shining Hour' and 'Lucky To Be Me' for example. Other songs are less well known these days: 'Year After Year', 'On The First Warm Day In May' and 'Merely Marvelous' come to mind, but are of similar stature.

The fourth CD, released late in 2005, is a live recording of Joyce, made at one of her regular visits to Larry's Room at the Pizza On The Park. Again, Keith Ingham is on piano and on bass is Simon Woolf. Joyce's song selection is once more wholly admirable and her penchant for films songs is again revealed with familiar songs such as 'It Might As Well Be Spring' as well as lesser-known items that include 'There's No Such Thing (As The Next Best Thing To Love)' and 'Incurably Romantic'. For those unable to hear Joyce live, this club session recorded on 18 and 19 June 2004 is an opportunity to her in a setting that adds atmospheric immediacy to another excellent performance by this gifted singer.

Finally, the third volume of Joyce's tribute to the inestimable Mabel Mercer maintains the very high standards of the earlier volumes. Among the songs are 'I'll Be Easy To Find', 'My Resistance Is Low', 'Time Heals Everything' and ''By Myself'. This is very good music, performed to perfection by an artist of exceptional merit. Together with her accompanists, who include Keith Ingham on piano, Jeff Tillman on bass and John Beal on guitar, Joyce engages the emotions of her listeners and delivers magical sounds. These fine songs, performed by an outstanding singer, truly is a tribute not only to Mabel Mercer but to an age that some might think has gone by. That it has not is due to a handful of remarkable artists of whom Joyce Breach is one.

In summary, all of these CDs brings together singing and playing of the highest quality, and music and lyrics that are a timeless delight. I am sure that anyone so far unfamiliar with this fine singer will find much to enjoy not only on any of these CDs, but also on any that she has recorded for Audiophile Records over the past few years. Among those others are Love After All (ACD 282), This Moment (ACD 293) and Nothing But Blue Skies (ACD 302). (Buy these now ...)

Although not released until the late 1990s, this fine double album was recorded in Toronto in June, 1983. Accompanied only by bassist Dave Young, who was then relatively unknown, the guitarist flows impressively through a selection of standards, offering new ideas and thoughtful improvisations, all wrapped up in seemingly effortless swing. By this time, Lenny was in his early forties but was already a seasoned veteran, having started playing professionally at age seven. Highly talented, this recording clearly demonstrates how gifted he was. Sadly, though, a little more than a year after this session took place he was murdered - a crime that remains unsolved. It is thanks to this album, and other previously unreleased recordings on the same label, that it is possible to see just how much the world of jazz lost. (Buy this now ...)

Although classically trained, pianist Cole Broderick has made himself known to and admired by jazz fans, especially in upstate New York. With this, his latest CD (due for release in March 2006), the spotlight widens to encompass not only his playing but also his composing skills. All the tracks are his own work and display his eclectic musical interests. Unaccompanied here, on his sixth CD, Cole swings through elegiac ballads, Latin rhythms and some down home blues with a touch of soul. Thoroughly enjoyable and always interesting, this is very good contemporary piano playing that echoes many of the moods that form the basis of jazz. (Buy this now ...)

This contemporary ensemble fields up to 17 musicians under the direction of drummer and composer Wade Barnes. They play an interesting mix of original compositions, mainly by Wade but with some compositions by soprano saxophonist Tom Olin, and pieces written by musicians as diverse as Bob Dylan and Oliver Nelson, all sprinkled works from the Great American Song Book, such as 'Body And Soul'. There are deft solos from the gathered musicians although the many delights on this CD stem from the ensemble passages, which are played with urgent delight. Good stuff for those with adventurous minds. (Buy this now ...)

With her third CD, Rosie Brown demonstrates that she is here to stay. A gifted singer with a wide stylistic range, Rosie is one of many young UK singers who are well worth looking out for. Her repertoire here includes songs by Rodgers and Hart, the title track and 'It Never Entered My Mind', jazz pieces, such as 'A Night In Tunisia', very attractive readings of 'Inside A Silent Tear' and 'The Night We Called It A Day', and there are also a couple of songs by a particular favourite of Rosie's, Antonio Carlos Jobim. Her accompanists here are: Richard Wetherall (p), Riaan Vosloo (b), Dave Walsh (d) and guest trumpeter Andrew Colman. Rosie is a very welcome presence on the jazz singing scene. (Buy this now ...)

Dale Bruning (with Jude Hibler) The Timeless Music of Harold Arlen (Jazz Link Enterprises JLECD 6029)

Dale Bruning (with Jude Hibler) The Timeless Music of Harry Warren (Jazz Link Enterprises JLECD 7938)

Dale Bruning (with Ali Ryerson) Classical Connections - Vol I (Jazz Link Enterprises JLECD 4860)

Intentionally hidden from wide public attention for decades, master guitarist Dale Bruning is joined in the first of these CDs by his much better known pupil, Bill Frisell, in a richly evocative exploration of the great heritage of jazz guitar. This double CD contains song book classics, like 'Body and Soul' and 'All the Things You Are', and jazz standards, such as 'Round Midnight' and 'Anthropology', all of them revitalized by these outstanding musicians. The next two CDs are wholly admirable evocations of an interesting concept. The music of some of the great songwriters has long been a staple of the jazz world. Here, the master guitarist together with jazz writer and producer Jude Hibler present on record examples of their live show. the JLE Narrative Theme Concerts. In these. Jude narrates the life of the chosen composer, explaining with anecdotes the origins of some of his most memorable songs. Then, Dale and his quartet perform these songs. The narration is informed and succinct and the interpretations superb. The other musicians on hand are bassist Michael Moore, saxophonist Rich Chiarluce and drummer Paul Romaine. On these CDs, the composers concerned are Harold Arlen and Harry Warren. Their music, in both instances significant components of American popular song, is extremely well served.

On Dale's CD, Easy Does It!, he plays the music of a long-time friend, Charles Eakin. With his quartet, Chiaraluce and Romaine again with bassist Mark Simon, Dale explores elegant melodies with warmth, wit and understanding. This is an exceptional tribute to and for many of us also an introduction to a fine composer we might have thus far overlooked. One to savour. Then comes another of the concert collaborations between Dale and Jude. On this occasion, recorded live at Dazzle Restaurant & Lounge in Denver, the narration is omitted from the recording although helpfully Jude's words are transcribed in the enclosed booklet. Dale's choice of music here is, as always, exemplary: 'Besame Mucho', 'Lover Come Back To Me', 'The Breeze And I' and 'Baubles, Bangles And Beads'. There are also two delightful pieces from the classical repertoire, by J.S. Bach and Joaquin Rodrigo, skilfully adapted by Dale for his group. The accompanying musicians here are Jeff Jenkins on piano and Simon and Romaine on bass and drums. Dale's guest is flautist Ali Ryerson, whose skill on both concert flute and alto flute is wholly admirable. This is seriously good music, played with verve and understanding by a group of musicians it would be hard to better anywhere in the world. (Buy these now ...)

An imaginative and highly individual singer, Katie Bull is here in duo with bass player Joe Fonda. The pair present a very good set that mixes well-known songs with some of Katie's originals. She is a strong and assured singer, willing to explore and take chances, which she pulls off with considerable aplomb. Joe's bass playing is a constant delight; he is supportive of his partner, similarly imaginative in his solos, and always swinging. Among the familiar yet far from overdone songs are 'I Could Have Danced All Night', 'I'm Old Fashioned' and 'Bluebird Of Happiness'. Katie's originals include 'Speak Louder' and 'Love Spook', the latter being the title song of her previous and similarly adventurous CD on this same label and upon which Katie and Joe worked with pianists Frank Kimbrough and Michael Jefry Stevens and others. (Buy this now ...)

A highly talented singer, mature and unforced, Donna Byrne sings with the liquid grace of a horn player. Her interpretation of lyrics shows a profound understanding of their emotional depths. Joined here by the excellent rhythm section of Tim Ray (p), Marshall Wood (b), Jim Gwin (d), Bucky Pizzarelli (g), along with tenor saxophonist Scott Hamilton, Donna delivers a fine set of mainly standards. This is a thoroughly engaging CD by a singer of considerable merit and who deserves the wider attention she is now beginning to receive. (Buy this now ...)

The piano, bass and drums trio of Rex Cadwallader, Mike Asetta and Arti Dixson is an exceptionally attractive group. Their last CD, Broadway - West Side Story with guest flautist Ali Ryerson, was of familiar music. On this 2005 CD all the pieces are originals by Rex and all are vivid and imaginative compositions. Individually, these are first class musicians, collectively they have a flair that marks them out from most p-b-d trios. Fiery and exhilarating, this is a group to listen out for, live or on record. If these three musicians are new to you, this album is a first-rate introduction to their many and considerable skills. (Buy this now ...)

An exciting date from driving hard bop trumpeter Elliott Caine. This is Elliott's third CD and on it he blends in touches Latin jazz, ably abetted by a fine group of like-minded, Los Angeles-based musicians. All the music here is Elliott's and he shows himself to be as adept at composition as he is in performance. The core rhythm section features pianist John Rangel, bassist Bill Markus and drummer Kenny Elliott and all are in top form. Also on the date are tenor saxophonists Carl Randall and Justo Almario, as well as percussionists Munyungo Jackson, Inocente Alvarez and Antoine Cayito Dearborn, with appearances by vibraphone player DJ Bonebrake and Probyn Gregory on theremin. Altogether, this is an attractive date from a group of musicians who are well known in the Los Angeles area and on this showing clearly deserve a much wider audience. (Buy this now ...)

Set for release on 1 January 2007, this is an attractive guitar and organ trio set by Jason Campbell, an Australian guitarist whose band, JC & the Jazz Hoppers, has made a big impression Down Under. With Col Nolan, on Hammond B3, and Andrew Dickeson, on drums (Evan Mannell on one track), Jason drives smoothly through a pleasing selection of material. There are two takes of Tadd Dameron's Our Delight, an original by Jason, and a few items usually heard in performances by contemporary pop musicians, all of which he turns into straightahead jazz pieces. No frills, no egocentric excesses, just good solid and swinging music from some very talented musicians. The aim of this set is to introduce Jason to a worldwide audience, and especially in America. This should do the trick. Admittedly, there are a lot of very good guitarists out there, but Jason has the ability to make his presence felt and heard. (Buy this now ...)

First come two very welcome reissues - from 1994 is a set that teams guitarist Royce Campbell in a succession of duos with fellow guitarists Larry Coryell, Pat Martino, John Abercrombie, Dave Stryker, and Bucky Pizzarelli. Whether soloing, dueting, trading fours or backing one another, these fine musicians ably confirm the CD's subtitle, A Jazz Guitar Celebration. The song selection is admirable: three of Royce's originals, pieces by jazz masters Miles Davis, John Coltrane and Bill Evans, and four standards. To all of this music, these fluent and skilled guitarists bring invention and imagination and the entire set swings. The six guitarists are backed by bass and drums drawn from a high-quality pool: Ugonna Ogekwo, Essiet Essiet, Bill Moring and Lynn Seaton; Billy Drummond, Marcello Pellitteri, Joe Cocuzzo. All those with an interest in jazz guitar will find this attractive set very much to their taste and will want to add it to their collections. The second CD appeared originally in 1995 in a very limited edition on the Japanese King label under the title Waltz For Debby. The 1999 reissue in the USA, as Royce Campbell With Strings, was jinxed; a warehouse fire destroyed most of the prepared stock. Third time lucky perhaps for this tasteful set of beautifully performed love songs. The arrangements by Carroll DeCamp admirably set off Royce's playing and there are also fine solo piano moments from Fred Hersch, with stellar support from bassist Lynn Seaton and drummer Mark Wolfey, while the strings are conducted by Carroll. Smoothly romantic, this is the kind of music that goes well with a fine wine and the right company.

In striking contrast is the third CD, which finds Royce in experimental jazz territory and it is testimony to his skills that he is as comfortable here as in the surroundings of the other more orthodox CDs. Here, he is teamed with woodwinds player Terrence Cook, bassist Ratzo Harris and drummer Stan Gage. All tracks on this set are themes composed by Royce upon which he and his companions weave often complex and challenging variations. A striking change of style and pace for this versatile and always entertaining musician.

For Trio By Starlight, Royce returns to standards but not as you might expect. Taking the chord progressions of well-known songs, he and his companions build upon them new melodies and along the way find many new things to say. The resulting whole is a continuous delight. The titles of the songs in their new form (and it doesn't take a degree in musicology to work out their origins) include 'Unforgettable April', Soul And Body', 'Almost Midnight' and 'Who's Got Rhythm'. I think I might have made this sound gimmicky and that would be wrong of me. This album is anything but that, it is filled with inventive and excellent playing by three outstanding performers. Royce's companions are piano veteran Hod O'Brien and relative newcomer Tom Baldwin on bass. Try not to miss this one.

The fifth CD is from 2007 and is solidly in the mainstream of jazz. Unusually, Royce has chosen to partner himself with only a bass player and violinist but his choice of musicians is exemplary. The bass player is Paul Langosch, a solid timekeeper and imaginative soloist. The violinist is veteran Joe Kennedy, whose recording opportunities were scandalously few during a long life in jazz. This was his final recording session, but there is no hint here that his life was moving towards its end. Vital and exhilarating on the faster pieces, fluid and languorous on ballads, Joe and Royce shine throughout, making this a very attractive and immensely satisfying set.

On the sixth of Royce's CDs mentioned here, Roses & Wine, he returns to the intriguing concept of Trio By Starlight with every one of the qualities intact. Again, the guitarist is joined by Hod O'Brien on piano with bassist James King on most tracks and Pete Spaar deputizing on a few titles. The manner in which Royce and his collaborators improvise new melodies on the harmonic chord progressions of familiar songs is a joy to the mind and soul. This is exceptional playing and warrants a place in every thinking jazz fan's collection. (Buy these now ...)

Although he has yet to make his mark internationally, Paul Carlon has established a solid reputation in and around New York where he has played in many bands, including those led by Harvie S and Ben Lapidus. On this, his first CD as leader, Paul has composed all but one of the tracks and his compositional skills are matched by his sparkling playing in tenor saxophone and flute. Adding their notable skills to this celebration of Latin-tinged contemporary jazz are trumpeter Dave Smith, trombonists Ryan Keberle and Mike Fahie, alto saxophonist Anton Denner, pianist John Stenger, bassist Dave Ambrosio and drummer Willian 'Beaver' Bausch. Guest artists featured on some of the tracks on this CD are tenor saxophonist Buddy Terry, vocalist Ileana Santamaria, and Max Pollak, tap dancer and body percussionist. Collectively, this gathering of talented musicians offer a highly entertaining and stimulating album. (Buy this now ...)

Based in Sarasota, Florida, George Carroll leads a lively and driving big band. Of particular note are the charts, which come from the likes of Thad Jones, Frank Mantooth, Bob Mintzer and Don Menza, as well as George himself. There are several good instrumental solos, including saxophonists Perry Childs, Bobby DeAngelis, Tucker Antell and Mike Gibilisco, and trombonists Crash Clifton and Greg Nielson. The latter also plays trumpet and flugelhorn and what's more leads his own big band on a couple of tracks. What I have not done so far is to mention that on several tracks George sings and very good he is too. His vocal sound is warm, mature and relaxed. Altogether an attractive CD that should appeal to many who like the sound of a good singer backed by a powerful big band. You are unlikely to find this CD in your local record store and you should therefore contact George direct by email at Moonboy22@verizon,net.

A fine set by this exceptionally gifted singer-pianist. Unaccompanied, Liane Carroll delves into an interesting repertoire that mixes originals and standards, the latter being revivified by her imaginative interpretations. There are few really good jazz singer-pianists around today who depend wholly upon intrinsic worth and ability rather than media hype. Liane is one of these talented few and this is a very good example of her work. An important presence on the London jazz scene for some years, in 2005 she became the first artist to win in two categories in the BBC's annual jazz awards. Liane's considerable talent and skill are now recognized around the world and this very good set sparklingly demonstrates why this is so. (Buy this now ...)

This is a relaxed and pleasing set of Brazilian music performed by the very good duo of guitarist Joe Carter and bassist Nilson Matta. Since a late 1980s performance in Rio de Janeiro, Joe has become a devotee and standard bearer for this musical form and through his honest and able playing has won over a substantial following. This is his third CD of this kind of music and displays not only his musicianship and technical skill but also his love for the form. Brazilian bassist Nilson is a wholly compatible foil to Joe's ideas. (Buy this now ...)

Although Eva Cassidy recorded only a small amount of material in her tragically short life, almost all of it is illuminated by her special touches; notably the manner in which she can subtly and so effectively improve upon even the greatest of songs from the standard repertoire. Try, for example, the gorgeous and often deeply moving CD, Songbird, or Live at Blues Alley, which displays her gift for communication. And then there is her exhilarating collaboration with blues singer, Chuck Brown, The Other Side; or the simple and enchanting pleasures of Time After Time. Dipping into the first of these CDs, almost at random, you will find 'Fields Of Gold', 'Oh, Had I A Golden Thread', and quite astonishing reconstructions of 'Autumn Leaves' and 'Over The Rainbow' that are simply breathtaking. A few tracks are duplicated on the set from Blues Alley but the rest include a superb reading of 'Tall Trees In Georgia' and another remaking of a familiar song, 'What A Wonderful World'. Also on this CD are hints of a different Eva, a gutsy, powerhouse singer who comes into her own on the barnstorming set with Chuck Brown without ever losing those astonishing melodic qualities that made her into a posthumous phenomenon.

With American Tune, the number of available recordings by Eva is extended. Some unexpected delights are here, notably the title track, and also Eva's highly personal approach to songs linked closely to artists as diverse as the Beatles, Ray Charles and Duke Ellington. The end must be in sight now, but there is never any hint that these are scrapings from the bottom of the barrel. Good music, beautifully sung. The foregoing CDs postdate by some years, Eva's recording debut. This came in 1988 with her appearance on a set with David Christopher's rock band, Method Actor. Now reissued on CD, this set shows Eva's extraordinary vocal talent in a setting that is completely different from all that came later. (Buy these now ...)

Drummer turned singer, Steve Johnson presents an attractive selection of songs new and old, the latter category the majority, all set in a decidedly contemporary mood. Steve is backed by guitarist Mike Wiens, keyboard player Mike Cross, bassist Terry Copley and drummer Steve Boggio and there is a lithely swinging feel to all that the band does. This is very much music for today but the harshness that sometimes affects contemporary pop is happily absent. Instead there is a rhythmic urgency that is always controlled and as a result creates an on-the-boil atmosphere. When Steve is not singing, he returns to his percussive past with some nice touches. The familiar songs include 'Nature Boy', 'My Funny Valentine', 'Fever', 'One For My Baby' and 'Angel Eyes'. There are some originals, by Steve, Mike W, Terry and others, and also the jazz standard 'Killer Joe' as well as Freddie Hubbard's 'Little Sunflower'. There is, too, the odd surprise, such as Ludwig Van B's 'Für Elise'. Throughout, there is an air that these guys (should that be guyz) are having fun and it is infectious. Altogether, a very attractive set that deserves your attention. (Buy this now ...)

This is John Chin's debut recording as leader and a very welcome addition to the roster of jazz pianists he is. Joined by tenor saxophonist Mark Turner, Alexis Cuadrado and Chris Higgins alternating on bass, and Bill Campbell on drums, John develops interesting improvisations on some strong themes. Three of the pieces played are John's own, two are by his mentor, Kenny Barron, and there are one each from composers Leonard Bernstein and Billy Strayhorn. Skilful, intelligent and highly accomplished playing make this set a delight from start to finish. This set deserves your attention and quite clearly this is a musician to look out for in the future. (Buy this now ...)

Far too few records are made by Soesja Citroen, a strikingly good singer from The Netherlands. She is also a very good songwriter as is demonstrated on this set as Soesja presents fifteen of her own love songs (one in collaboration with Chris Ellis), all of which are melodically pleasing and have intelligent lyrics. Soesja's sound is mature and assured and the interplay with the clarinet and alto saxophone of Michael Moore is delightful. Also recommended are Soesja's earlier records, including Soesja Citroen Sings Thelonious Monk (Timeless CD JC 11021), from 1983, and Song For Ma (Challenge CHR 70056), a 1998 recording. Three CDs in twenty years is not nearly enough. (Buy this now ...)

An exceptionally talented singer, Holly Cole brings lustre and excitement to an attractive selection of songs. Her voice is full and flowing and she interprets the lyrics with wit and integrity and she is always supremely musical. Holly is supported by several other noted musicians on the Candian jazz scene, including trumpeter Guido Basso, trombonist Terry Promane, saxophonist Johnny Johnson, pianist Aaron Davis, bassist David Piltch, and drummer Mark Kelso. This CD is filled with beautiful music, wonderfully well sung and played. (Buy this now ...)

An unexpected delight, this tough-edged hard bop session by veterans Steve and Iqua Colson. Around for many years, pianist Steve and singer Iqua have profiles that are far too low. For many years, Steve has been closely associated with some of the more advanced music coming out of Chicago and St. Louis and he is ably complemented here by T. K. Blue on soprano and alto saxophones, Andy McCloud, bass, and Reggie Nicholson, drums. Together, the band and the singer launch into a stirring set of mainly originals by Steve. Some of the tracks on this CD are instrumentals and all on hand solo with verve and imagination. Iqua's singing style is appropriately bop oriented and her vocal sound is richly mature. A very nice set, then, from artists who deserve far more attention than they have hitherto been granted. (Buy this now ...)

A rich and tuneful performance by a singer in full control of her considerable talents, this album has since been succeeded by other fine releases. The relaxed ambience here fully suits the material, which mixes jazz standards with high quality originals. The concept behind Carri's work (and vouchsafed policy of the company she operates in collaboration with veteran composer-singer Eugene McDaniels) is 'elegant music for intelligent people' and it is a measure of her skills that this CD fully lives up to that daunting standard. Mostly active in the northeastern USA, this is an excellent opportunity to hear a singer who deserves to be better known. (Buy this now ...)

Singer-pianist Eric Comstock has built a considerable reputation during the years since his 1998 debut CD. This new release demonstrates why this is so. Drawing his material from the masters of the Great American Songbook, as well as jazz songs from Duke Ellington, Billy Strayhorn, Charlie Haden and Benny Carter, Eric sings with a lithe and subtle swing, while his piano playing is an ideal match for his voice. Eric is joined here by the guitar, bass and drums of Peter Bernstein, Peter Washington and Matt Wilson, as well as the tenor saxophone and flute of Frank Wess and the trombone of Wycliffe Gordon (and on five tracks, Eric Reed steps in on piano). This is all very good material, extremely well performed by an artist with a rare touch of class. (Buy this now ...)

Singer Mary Foster Conklin has chosen for this CD the music of Matt Dennis, thus bringing together a singer and composer both of-whom have made an impact on the world of cabaret. There are hints of affinity with the world of jazz throughout, but this is music for the connoisseur of late-night, world-weary eloquence where singer, composer, customer (and bartender) are united in reflecting on the might-have-been world that lies outside their temporary refuge. Everyone knows the mood, most have experienced, and this is the kind of CD to play when that mood is upon you. With fine accompaniment from pianist John Di Martino, guitarist Tony Romano, bassist Sean Smith and drummer Ron Vincent on most tracks, Mary explores the music and the mood and lyrics by several notable exponents of the art, particularly Tom Adair whose contribution made songs such as 'Violets For Your Furs', 'Will You Still Be Mine' and 'The Night We Called It A Day' part of the common language of four o'clock in the morning people everywhere. (Buy this now ...)

A delightful singer, Carla Cook has an assured vocal style and a thoroughly pleasing sound. She delivers striking interpretations of some well known songs, swings with panther-like grace, and overlays the entire CD with rare good humour. The unusual instrumentation of four-piece rhythm section and three trombones allows for some intriguing ensemble passages. The instrumentalists include pianist Cyrus Chestnut and trombonists Fred Wesley, Craig Harris and Tyrone Jefferson, and three trombones allows for some intriguing ensemble passages. All musicians are in fine form and the result is a CD that will provide constant pleasure. Clearly, Carla is a singer to look out for, and this CD is an excellent place start. (Buy this now ...)

Canadian alto saxophonist Sheila Cooper is also a good singer. Her instrumental and vocal abilities cross-fertilize to make her performances both rounded and deep. Sheila's vocal phrasing reflects her command of jazz saxophone, while her understanding of the lyrics is revealed in the melodic charm of her instrumental solos. Sheila lives in Austria and she is accompanied here by Austrian pianist Fritz Pauer. Together, they form an exceptional duo and on a set of mainly standards they never put a finger wrong. Before this release by Candid, this CD was briefly available on Panorama 004. (Buy this now ...)

Although Roz Corral has been around for some years, this is her debut CD and it is very good indeed. She has a fluid sense of swing, displays fine jazz phrasing, and has a sound that suggests warmth and maturity. This sense of maturity, so often lacking in singers who have publicity machines at their disposal, is apparent in many ways. As indicated, this maturity comes through Roz's vocal sound but it is also apparent in her intelligent interpretation of the lyrics she sings. Her repertoire shows taste; there are some standards it is true, but they are either not overused or are approached with ingenuity. For example, Roz makes interesting choices of tempo, often unexpected but always appropriate. Quite clearly, Roz is a jazz singer, and one of considerable merit. On this set she is surrounded by front-rank instrumentalists: the rhythm team of Bruce Barth, piano, Larry Grenadier, bass, and Jeff Ballard, drums, cushion the vocals with elegance and style. Others on hand are John Hart, guitar, Steve Davis, trombone, and Steve Wilson, alto saxophonist and clarinet, all of whom provide tasteful obbligatos and crackling solos. Among the tracks on this warmly recommended set are songs by Dave Frishberg, Stephen Sondheim, Irving Berlin, Harold Arlen and Johnny Mercer. (Buy this now ...)

With her debut CD Joan Crowe registers strongly as a distinctive singer with an intelligent and witty approach to her material. Drawing songs from among popular standards and lesser-known works from the pop field, she works engaging variations and fits smoothly into the supporting group, which includes the core trio of Tedd Firth, piano, Jay Leonhart, bass, and Scott Neuman, drums. Joan's voice is rich and fluid and she has a pleasingly controlled touch of vibrato. A thoroughly musical and highly enjoyable set, this CD, released in August 2005, should have a wide appeal and must surely be only the first of many albums yet to come. (Buy this now ...)

This exceptional bass player is widely known and respected within the profession, although his name remains relatively unknown among audiences. This is despite the fact that many will have heard him over the years thanks to spells with numerous leading musicians. Among these are the pianists Chick Corea, Al Haig and Teddy Wilson, saxophonists Al Cohn, Zoot Sims and Phil Woods. Here, he leads a trio featuring pianist David Leonhardt and drummer Paul Wells through a selection of his own compositions. Free-flowing improvisations over a secure pulse make this a very attractive recording and should do much to raise Roy's profile among discerning fans. (Buy this now ...)

This exceptionally attractive mainstream set from Eddie Daniels finds the veteran saxophonist/clarinetist in very good form. His clarinet playing is incisive and inventive, his tenor saxophone fluent and melodic. Backing Eddie is a rhythm section leaders must dream about: Hank Jones on piano, Richard Davis on bass and Kenny Washington on drums. The music Eddie has chosen includes standards such as 'It Had To Be You' and 'How Deep Is The Ocean' alongside compositions from jazz masters such as Charlie Parker, Billy Strayhorn, Duke Ellington and Thad Jones. Eddie plays tenor on four tracks, clarinet on eight and there is not a moment without interest or excitement or pleasure or any combination thereof. This is mainstream jazz at its very best and this CD belongs on the shelves of any discerning collector. (Buy this now ...)

The first of these CDs is a relaxed and very pleasing 2003 set on which Roger Davidson offers some Latin-tinged takes on classic music from the pen of Richard Rodgers. Sometimes solo, sometimes in duo with bassist David Finck, and also in a trio with percussionist Paulo Braga, Roger pays respectful tribute to the composer, while simultaneously displaying his own inventiveness. Among the songs Roger has selected are 'My Romance', 'Lover', 'If I Loved You' and, aptly enough, 'The Sweetest Sounds'. This music has been around long enough to be considered timeless; Roger's treatment will help ensure that it continues to live for many more years.

The second CD is mostly of Roger's own compositions and very good they are too. Once again bassist David Finck is on hand and so too is drummer David Ratajczak, while percussionist Charles Descarfino joins the trio on two tracks. Although recorded back in 1991, this set is released now, late 2005, for the first time. It has been well worth the wait. The third CD is mostly originals by Roger and the dominant theme is the bolero. Backed by the bass of David Finck and Ignacio Berroa's compelling percussion, Roger also benefits from contributions by guitarist Francisco Navarra, flautist Marco Granados, trumpeter Kenny Rampton and additional percussion from Pernell Saturnino. The whole is another fine example of this pianist's wholly admirable embracing of the music of Latin America. (Buy this now ...)